Wanna be first to hear who’s playing the 2026 Raleigh Wide Open Music Festival? Come to our free Lineup Announcement live event on May 12, part of our weekly Beer and Banjos concert at Bowstring Pizza and Brewyard in Raleigh.
From 6:30-9 p.m., you’ll hear music from the Beer and Banjos All-Stars and a guest band, and we’ve got some extra fun in store as we unveil the festival lineup. It’ll also be the first opportunity to buy our brand-new 2026 festival merch – yes, our beloved banjo-hoisting squirrel will be prominently featured!
Beer and Banjos is a free, family-friendly evening of roots music every Tuesday at Raleigh’s Bowstring Pizza and Brewyard. Hosted by the mighty local musicians known collectively as the Beer and Banjos Allstars, these weekly concerts feature guest musicians and take place on Bowstring’s spacious patio when the weather allows, or inside by the bar when rain, heat, or cold threaten the vibe.
Tips for the musicians are gratefully accepted (look for a helper walking around with a bucket for cash and QR codes for online tips), and don’t forget to check out the merch table. Bowstring serves tasty pizza and other food as well as cold beer and other beverages.
Learn more about Beer and Banjos events statewide here.
Parking at Bowstring Brewyard can fill up fast. If you arrive and find the parking lot full, here are some options:
PAY PARKING: Exit the Bowstring parking lot by turning right onto Wake Forest Road, then quickly take a right (at the light) onto E. Whitaker Mill Rd. Turn right into the parking lot of the StorageMax and look for a kiosk to pay.
FREE PARKING: Turn right out of the Bowstring parking lot and quickly turn left at the light onto E. Whitaker Mill Rd. Turn left into the parking lot of Wesley Memorial United Methodist Church. It’s about a 5-10 minute walk back to Bowstring from there.
One of the constants at MerleFest is that it will rain. Sometimes it’s just a few drops and sometimes it’s a downpour, but as someone who has attended this premiere outdoor (mostly) festival that celebrates all types of music faithfully for more than two decades, I can promise you that something will fall from the sky and this year was no different.
Photo by Pixels on Paper Photography
Another constant at MerleFest is Jim Lauderdale, who made his 29th appearance this year. You can always find Lauderdale, a native North Carolinian, performing on one stage or another as well as jumping in to jam with The Waybacks during the popular Album Hour or just walking around the Wilkes Community College campus on his way to or from another set chatting with other musicians or fans.
This year Lauderdale released his 39th album — yes, you read that right 39th — called “The Birds Know” with The Po’Ramblin’ Boys at MerleFest on April 24. Lauderdale kicked off Friday’s festivities on the Creekside Stage with tunes from his new bluegrass album as well as his 38th album, Country Super Hits Volume 2, which he released in March.
It’s not the first time the Americana legend has teamed up with IBMA Award-winning torchbearers The Po’ Ramblin’ Boys. “The Birds Know” is a follow-up to 2023’s “The Long and Lonesome Letting Go” which also featured The Po’Ramblin’ Boys.
If you are already a fan of MerleFest, then you can skip to No. 1. For the uninitiated, however, MerleFest is the younger, Eastern cousin of the Telluride Bluegrass Festival. I discovered this gem of Americana festivals more than two decades ago after I moved to North Carolina from spending nearly a decade out West attending the Telluride festival. You may be surprised to learn that MerleFest has nothing to do with Merle Haggard, although that has proved confusing over the years. It was especially confusing the year the Hag himself closed out the four-day music festival. Instead it is named in memory of Eddy Merle Watson, son of bluegrass legend and North Carolina native Doc Watson. Known as one of the best flat-picking and slide guitarists of his generation, Merle Watson died in a farming accident in 1985 at the age of 36. Doc Watson started the Americana festival that bears his son’s name as a fundraiser for Wilkes Community College in 1988 to honor his son and their style of music, that Doc referred to as “traditional plus,” meaning the traditional music of the Appalachian region plus whatever other styles the Watsons were in the mood to play. We lost Doc Watson in 2012 but he and Merle Watson’s musical celebration continues on featuring bluegrass, Americana, country, blues, rock and many other styles. This year’s festival will play host to a diverse number of artists, performing on 13 stages during the course of the four-day event April 23-26. Watch this video from the very first #MerleFest 1988 featuring Mark O’Connor, Tony Rice, Jerry Douglas, Béla Fleck, Sam Bush and John Cowan, many of whom will be performing this year. And while there are many more than 12 reasons to attend MerleFest, it seemed fitting to highlight a dozen reasons since that is the same number of stages the festival features.
WILKESBORO –– MerleFest, presented by Window World, has revealed a star-studded roster joining its highly anticipated Late Night Jam hosted by Old Crow Medicine Show.
The beloved MerleFest tradition promises unforgettable collaborations between special guests including Charlie Starr (of Blackberry Smoke), Maggie Rose, The Creekers, AJ Lee & Blue Summit, DUG, Donna the Buffalo, and more to be announced.
MerleFest is proud to once again welcome our 2026 Acoustic Kids Showcases with Andy May. Since 2001, the Acoustic Kids program has given young musicians of any skill level the opportunity to perform on festival stages in a supportive environment.
Beginner through pro, all musicians 18 or younger are welcome to participate and share their music with the MerleFest audience. Each year, we host three 1.5-hour showcases and a half-hour Acoustic Kids Ambassadors set.
The WCC Foundation is thrilled to continue the Silent Auction this year, featuring the convenience of online bidding and the chance to view items in person throughout the festival. You can browse and place bids before and during the festival — all without missing a beat of the music. This year’s auction will showcase an even greater variety of distinctive, high-quality items, and the 50/50 Raffle is back for another exciting year! Proceeds support the SAGE (Supporting Academic Goals for Education) First Year Experience program, empowering students to start strong and achieve their goals. Stay tuned for more details at merlefest.org/silent-auction.
MerleFest 2026 tickets are available now, including the highly anticipated Late Night Jam. For general admission passes, reserved seating, camping, parking, and more, please visit merlefest.org/purchase.
About MerleFest MerleFest, presented by Window World, was founded in 1988 as a fundraiser for the Garden of the Senses at Wilkes Community College to memorialize world-renowned flatpicker Doc Watson’s late son, Eddy Merle Watson. MerleFest is a celebration of “traditional plus” music, a unique mix of traditional, roots-oriented sounds of the Appalachian region, including old-time, classic country, bluegrass, folk and gospel, blues, and expanded to include Americana, classic rock, and many other styles. The festival hosts a diverse mix of artists on its 12 stages during the course of the multi-day event. MerleFest is the primary fundraiser for the WCC Foundation, funding scholarships, capital projects, and other educational needs.
Editor’s Note: This story was originally published on Campbell Law School’s website on Oct. 15.
David Childers ‘81 has been called one of North Carolina’s most underrated song writers.
The Campbell Law School alumnus practiced law with his father, Max Childers, in his Gaston County hometown of Mount Holly after graduation. For more than a decade, Childers handled everything from criminal to domestic cases to DUIs, ”just whatever was thrown at me,” he told music writer Mark Kemp in this story from The Charlotte Ledger in August 2025.
Childers began writing songs on his acoustic Gibson guitar, basing them loosely on some of the characters and their lives he saw through his law practice. He started performing in small Charlotte clubs. He released his first CD when he was 45 with his then group, The Mount Holly Hellcats.
Childers continued to practice law along with his music making throughout the late ’90s, recording three more albums with a variety of notable musicians, including members of Charlotte bands Lou Ford and The Rank Outsiders and the late West Coast guitarist Duane Jarvis, who played with Lucinda Williams.
But on a hot, humid night in July 2000, Dolph Ramseur of Ramseur Records, an independent label that would go on to produce Childers along with The Avett Brothers, happened to catch Childers at the legendary Double Door Inn in Charlotte.
“Most of the songs he performed that evening were filled with the subject matter of Jesus, damnation, salvation, the Devil, forgiveness and redemption,” Ramseur is quoted in Childers’ bio on his website. “I will never, ever forget it. It was such an inspiration that the next day I wrote David a personal letter asking him if we could make a record together about those things in which he was singing about. We have been friends ever since. No record or manager contract. Just a handshake.”
That record, “Blessed in an Unusual Way,” ended up being recorded in Ramseur’s home. “David’s been a kind of a rock for me in many ways,” Ramseur told Kemp. “Much like it is with the Avetts and me, David and I speak the same language — that Southern Piedmont mill town thing. We’re all made from the same stuff.”
Ramseur adds on Childers website, “It is my hope David’s greatness as a songwriter and artist will be recognized and appreciated by many in years to come.”
Turns out, on Thursday, Oct. 16, that hope will come true as Childers will be inducted into the North Carolina Music Hall of Fame, which is home to musical legends, including James Taylor; the late, great Doc Watson; John Coltrane; and the aforementioned Avett Brothers.
Childers is being inducted alongside country music star Luke Combs, Clyde Mattocks, Dexter Romweber, Hattie “Chatty Hatty” Leeper and Robert Deaton. The North Carolina Music Hall of Fame induction ceremony takes place annually to honor music legends with roots in North Carolina. The ceremony is open to the public for a night filled with music, celebration and nostalgia. The 2025 class to be enshrined during the annual induction ceremony at the Mooresville Performing Arts Center.
The ceremony is a commemorative occasion in which music industry professionals who have made a significant impact on American Music are introduced as new members of our Hall of Fame. The ceremony will feature each inductees’ acceptance of their induction, video presentations and live performances. Tickets are $50 and $80 and are available at this link.
Childers’ Hall of Fame induction comes at a time when the musician, poet and artist could use some good news. In summer 2024 Childers was diagnosed with Stage IV colon cancer. While he tried to keep his illness quiet, once his friends and other musicians found out they created a GoFundMe account to help with his bills. To date, they’ve raised more than $30,000.
Childers told Kemp, “I had no idea how appreciated I was … I mean, the amount of love that just poured in. And not only that, but also the financial help. I get checks in the mail for $500! I’m like, ‘What’s this for?’ and they’re like, ‘Well, just because of what you’ve done. You’ve meant a lot to me — your music.’”
His latest song, about a vagrant in the Durham bus station, includes the lines, “Sometimes bad things happen… Keep your focus. You might get an answer. There might just be an angel standing next to you.”
Kemp writes, “Childers has put his trust in angels his entire life. His songs and paintings are all about darkness and light, sin and redemption, hard times and freedom. He doesn’t know where life will take him from here, but he knows he’s going to be OK.”
Childers continued, “That’s one thing I want people to understand, I’m doing fine. I get out there, I walk about a mile and a half a day. I cut grass with a push mower. I lift weights. I paint all the time. I’m back to playing gigs…I’m probably the happiest I’ve been in my life. I ain’t planning on dying anytime soon.”
Fans of Yarn and RoosterWalk Music and Arts Festival will be excited to hear that the 5th rendition of the band’s annual alternative music festival is moving to Pop’s Farm just outside Martinsville, Virginia, on Oct. 16-18, 2025.
Tickets are on sale now at this link and start $110. The event’s address is 675 Hobson Road, Axton, Virginia.
Band leader and founder Blake Christiana says, “We are moving Yarnival 5 to Pop’s Farm in an effort to make it just a little bit bigger and hopefully even better. Big huge thanks and love to Jay and Constance Wyant for allowing us to grow this event at Alder Creek Farm for its first four years.
“In sticking with our small festival appeal where every ticket is a VIP, we will be limiting the number of tickets we sell and continue the laidback vibe that has made our past Yarnival’s so welcoming, friendly and comfortable. WE DO EXPECT A SELL OUT, SO GET YOUR TICKETS IN ADVANCE.
“We will continue to feature whatever kind of music we feel like alongside our feature of alternative forms of entertainment, i.e. magic, carnival arts, circus performers, burlesque, etc… You won’t be seeing any super ‘big names’ at our festival but you will be seeing talent that is equal to or even greater than said ‘big names.’ Most likely some will even go on to become ‘big names.’ The difference between a band that draws a hundred people every night and 10,000 people every night is a tiny speck of dust. Albeit magic dust, but just a little dust nonetheless.”
More about Yarn
Blake Christiana, founding member of Yarn, has the music in him. In fact, you could say that Blake is the music and the music is Blake; that’s how deeply he inhabits the songs he writes and plays. You can hear him struggling with his feelings, whether it’s on a skittering country shuffle or on a mid-tempo folk ballad or a straight-ahead rocker. His restless search for the chords and lyrics over the past 20 years has produced a plethora of memorable music, and since 2007 he’s led Yarn, a band that’s evolved from its earliest days as a bar band in New York City to an outstanding roots band that’s shared stages with Dwight Yoakam, Marty Stuart, Alison Krauss, and Leftover Salmon, among many others.
Yarn got their start by playing a weekly residency at Kenny’s Castaways in Greenwich Village in 2007. “We played there every Monday night for two years. I was writing like crazy, and we’d try out the songs. It was like rehearsing on stage; every night was different, and sometimes we played in front of five people and sometimes there’d be 100 people there.” Over the years, musicians have rotated in and out of Yarn, but drummer Robert Bonhomme and bassist Rick Bugel, along with Christiana, have remained the core of the band.
17 years and over 10 albums later, Yarn has a new album, “Born, Blessed, Grateful & Alive,” out in July 2024, and their exuberance shines as bright as ever; they lay down jubilant songs—even when the lyrics might be a little less than joyous—and play effortlessly across a number of genres. Joining Christiana, Bonhomme, and Bugel in the studio for this he album were guitarists Mike Robinson (Railroad Earth), Andy Falco (Infamous Stringdusters), and Mike Sivilli (Dangermuffin), bassist Johnny Grubb (Railroad Earth), harmony vocalists Heather Hannah and Elliott Peck (Midnight North), and keyboardist Damian Calcagne, who co-produced the album along side Blake Christiana.
The soaring Allman Brothers-esque mid-tempo rocker “Turn Off the News” opens with a cascading piano run that tumbles into the band’s echoing vocals that reverberate with a gospel-inflected acclimation of the joy we feel when we can “turn of the news” and “shake off the blues” of the incessant 24 hour depressing news cycle. The country shuffle “Somethings Gotta Change” strolls along the crystalline riffs of a pedal steel that darts in and out of a honky-tonk piano; the song exudes a joyous spirit even in the face of the world falling down around it.
Tuck Satterfield of The Simple Joy writes: “Energetic and quirky, Couldn’t Be Happiers is a folk-rock /Americana duo that enjoys every moment of their second chance at happiness. And it’s pretty damn contagious. Described by Doug Davis of Flytrap Studios as ‘Violent Femmes meets Johnny and June,’ this married songwriting duo joyfully blends rock, pop, bluegrass, and folk into a sound that is uniquely their own. The CBH songbook includes stories about the obsessive drive of a Bigfoot hunter, the life cycle of a plastic bag, the end of the world from global warming, the untold perspective of the first woman hanged in North Carolina, and the acrobatic feats of strength performed by a Cajun burglar feeding his gambling habit. But aside from the stories, what you’ll notice first is the voices — and in particular the beautiful homespun harmonies. Those voices will take you from church to holler to Opry and back again all in one song, thanks to the exhilarating power of Jodi’s vocals and the smoothly classic twang of Jordan’s. With Jodi on drums and harmonica, and Jordan on guitar, Couldn’t Be Happiers roll out an incredible sound, a set of great original songs, and a live show that all but dares you not to enjoy yourself.”
Mama & The Ruckus wins 10th annual band competition
From the good folks at MerleFest:
MerleFest 2025, presented by North Wilksboro-based Window World, wrapped up its 37th annual celebration with a romp-roaring tribute to the music and community that folk icon Doc Watson championed throughout his life.
Over the course of four vibrant days, nearly 100 acts ranging from rising stars to seasoned legends graced a dozen stages across the campus of Wilkes Community College, drawing thousands to the rolling hills that canvas the region.
Founded in 1988, MerleFest has grown into not only a musical cornerstone of North Carolina but also a vital economic engine for the area, fueling scholarships, capital improvements, and educational programs throughout the community. The 2025 edition continued that legacy, blending genre-defying performances with a deep sense of purpose rooted in place and people.
On Saturday, MerleFest welcomed a special guest: North Carolina Gov. Josh Stein, who toured the Wilkes Community College campus and took in the sights and sounds of the festival. Later that evening,Stein introduced North Carolina’s own The Avett Brothers ahead of their headlining set on the Watson Stage, highlighting the festival’s important role in supporting education and cultural life in the region.
“MerleFest is special to so many people, including my family and me,” said Stein. “It was great to enjoy the weekend with so many North Carolina music fans, and I appreciate the hardworking people who make it all happen year after year.”
Reflecting on this year’s event, Festival Director Wes Whitson shared, “What really stood out to me this year was the sense of connection. You could feel it everywhere—between the artists and the crowds, among the volunteers, and even in the little moments, like folks swapping stories in the food lines. MerleFest has always been about more than just the music, and this year really drove that home. I’m especially proud that the festival continues to support the mission of Wilkes Community College, which plays such an important role in our region. I’m so grateful to everyone who helped make it happen and kept the spirit of the festival alive. It’s quite possible we broke some attendance records this year. We could not be more appreciative of our fans who showed up in a really big way each day of the festival.”
See below for a day-by-day highlight reel of MerleFest 2025’s noteworthy moments:
Thursday: MerleFest weekend kicked off with returning local artist Presley Barker, whose impressive guitar work and heartfelt lyrics welcomed festivalgoers. Woody Platt and the Bluegrass Gentlemen followed with a masterclass in bluegrass tradition, leading into a powerful, blues-tinged set from The SteelDrivers. Wyatt Flores kept the energy high with his soulful songwriting and magnetic presence. Brent Cobb brought laid-back Southern rock vibes to the Cabin Stage, before The Dead South drew a massive crowd with their high-energy, foot-stomping bluegrass. The evening closed on the Dance Stage with Donna the Buffalo’s infectious rhythms, kicking off the weekend with heart, energy, and the signature sense of community only MerleFest can deliver.
Friday: Jim Lauderdale and The Gamechangers opened the day with a soulful set on the Creekside Stage, setting the tone for a memorable Friday. Big Richard brought powerhouse vocals and fierce energy to the Americana Stage, followed by Tony Trischka’s EarlJam, who took fans on a journey through bluegrass history. The War and Treaty delivered an emotionally charged Watson Stage performance, leading into a stunning set from I’m With Her. Friday night belonged to Bonnie Raitt, who captivated with her iconic slide guitar and timeless hits, before the tradition of the Late Night Jam, hosted by Sam Bush, brought a star-studded roster of pickers together for an unforgettable session.
Saturday: Saturday opened with Denitia’s soulful country sounds on the Hillside Stage, followed by the announcement of Band Competition winners Mama & The Ruckus. Alison Brown delivered a masterful blend of bluegrass, folk, and storytelling, and The Fretliners brought authentic, Colorado-infused roots to the Traditional Stage. Christina Vane stormed the Dance Stage with her roots-driven sound, while The Waybacks’ annual “Album Hour” reimagined The Rolling Stones’ Let it Bleed, electrifying the crowd. As evening set in, Sam Bush lit up the Watson Stage, paving the way for The Avett Brothers’ high-energy, heartfelt performance. Scythian closed the night with a raucous, high-octane dance party on the Dance Stage.
Sunday: The festival’s final day began with a family-friendly sing-along led by Josh Goforth and Laura Boosinger. The Jeff Little Trio honored Doc Watson with heartfelt gospel songs at Creekside, followed by The Secret Sisters’ haunting harmonies on the Hillside Stage. Leftover Salmon got the Watson Stage crowd moving with their jam-infused bluegrass, while Wayne Henderson & Friends showcased Appalachian roots mastery at the Traditional Stage. Watchhouse closed out MerleFest 2025 with a breathtaking, soul-stirring set, wrapping up a weekend full of music, community, and unforgettable memories.
As MerleFest 2025 comes to a close, excitement is already building for next year’s return to Wilkes Community College, set for April 23-26, 2026. Stay tuned for ticket details and the full lineup announcement coming soon.
About MerleFest MerleFest, presented by Window World, was founded in 1988 as a fundraiser for the Garden of the Senses at Wilkes Community College to memorialize world-renowned flatpicker Doc Watson’s late son, Eddy Merle Watson. MerleFest is a celebration of “traditional plus” music, a unique mix of traditional, roots-oriented sounds of the Appalachian region, including old-time, classic country, bluegrass, folk and gospel, and blues, and expanded to include Americana, classic rock, and many other styles. The festival hosts a diverse mix of artists on its 12 stages during the course of the multi-day event. MerleFest is the primary fundraiser for the WCC Foundation, funding scholarships, capital projects, and other educational needs.
Missing the IBMA Bluegrass Live! Fest? You aren’t alone. For some boot-stomping fun in its place, head on over to the North Carolina foothills for MerleFest 2025, the annual homecoming of bluegrass, Americana, folk and almost every other kind of music in between in Wilkesboro.
From April 24–27, the campus of Wilkes Community College will become a musical menagerie with more than 100 musicians taking to 13 stages—exactly what founder and legend late Doc Watson intended when he named the Americana festival after his son and fellow guitarist, Merle.
The 37th MerleFest promises some incredible musical moments and memories with a lineup that includes the much-anticipated return of NC natives The Avett Brothers and Watchhouse (formerly known as Mandolin Orange), and the first-time appearance of icon Bonnie Raitt, whose music—like MerleFest—spans blues, folk, pop, country, rock and R&B.
Triangle-based The Barefoot Movement is also returning to MerleFest, along with another local band, A Different Thread, out of Chapel Hill, which is among the eight hopefuls competing in the 10th Annual Band Competition, where finalists vie for the opportunity to perform on MerleFest’s iconic Hillside Stage.
Late Night Jam Returns Making a surprise return this year, The Bluegrass Situation will present the Late Night Jam hosted by Sam Bush and featuring a super-set of collaborations with East Nash Grass, Jack Lawrence, Joe Smothers, Peter Rowan, T. Michael Coleman, Tony Trischka, Woody Platt (formerly of the Steep Canyon Rangers) and more.
“The Late Night Jam was always a unique and fun bonus set of music where you never knew who would show up or what you might hear,” says MerleFest Artist Relations Manager Lindsay Craven. “We took a pause on this offering so we could revamp and revitalize it for our fans and bring it back bigger and better than ever. Late Night Jam with Sam Bush and Friends will embody the spirit of MerleFest with unique collaborations you can only see here, and the highest-quality musical performances in the roots scene.”
Beyond its unparalleled musical offerings, MerleFest 2025 will also offer visitors a chance to explore the rich history of the festival through the MerleFest Archives and Oral Histories, now on display at the Appalachian State University Libraries. The exhibit spans the festival’s journey from its founding in 1988 to the present day through a curated collection of performance recordings, photographs and memorabilia, providing a glimpse into the festival’s growth and impact.
The state’s second-largest tourist draw, which acts as a fundraiser for WCC, will also offer shopping from a variety of vendors at The Shoppes at MerleFest, the Little Pickers Family Area, the Acoustic Kids Showcase, Jam Camp, Pickers Place, a wide range of good eats that double as fundraisers for the local community, and even nature walks and backstage tours. One-day general admission tickets from $90, multiday tickets from $245, merlefest.org.
A music festival curated by GRAMMY & Pulitzer Prize-winning artist Rhiannon Giddens, and dedicated to the reclamation and exploration of Black music, art, and culture in her home state of North Carolina.
Biscuits and Banjos will take place in downtown Durham at the Durham Performing Arts Center, The Armory, Carolina Theater and more locations, according to a press release.
Greensboro native Giddens’ new festival spans three days to exchange ideas, expand conversations, uplift traditions, and trace the musical and geographical connections of old time, country, Americana, folk, jazz and blues to highlight their complicated origins. The festival will champion Black artists and creators, offering robust musical performances alongside secondary programming to include lectures, workshops and readings from authors, chefs, visual artists, and more. Black culture is not a monolith, and this gathering will provide an opportunity for those working outside the mainstream to come together in community, as well as showing the similar journeys the culture has taken across music, food, and literature.
The festival will honor the 20th Anniversary of the Black Banjo Gathering – a landmark musical summit held in Boone, N.C., in 2005 that became the impetus behind the creation of GRAMMY-winning black string band, the Carolina Chocolate Drops, which launched Giddens’ career. She immediately identified Durham as the ideal location to house Biscuits & Banjos given her personal connection to the city and its diverse reach and thriving contemporary culture, as well as its historical Black heritage.
Indoor programming will be ticketed and outdoor programming will be free to the public.
Biscuits & Banjos is a non-profit, community responsive festival. Funding for Biscuits & Banjos is made possible in part by the North Carolina Department of Natural and Cultural Resources, North Carolina Humanities, the Danielle Rose Paikin Foundation, the Harper House Foundation, Warner Music Group/Blavatnik Family Foundation Social Justice Fund, Duke Arts and Duke Community Affairs, and other generous individual donors, civic, and community partners.
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