One of the constants at MerleFest is that it will rain. Sometimes it’s just a few drops and sometimes it’s a downpour, but as someone who has attended this premiere outdoor (mostly) festival that celebrates all types of music faithfully for more than two decades, I can promise you that something will fall from the sky and this year was no different.
Photo by Pixels on Paper Photography
Another constant at MerleFest is Jim Lauderdale, who made his 29th appearance this year. You can always find Lauderdale, a native North Carolinian, performing on one stage or another as well as jumping in to jam with The Waybacks during the popular Album Hour or just walking around the Wilkes Community College campus on his way to or from another set chatting with other musicians or fans.
This year Lauderdale released his 39th album — yes, you read that right 39th — called “The Birds Know” with The Po’Ramblin’ Boys at MerleFest on April 24. Lauderdale kicked off Friday’s festivities on the Creekside Stage with tunes from his new bluegrass album as well as his 38th album, Country Super Hits Volume 2, which he released in March.
It’s not the first time the Americana legend has teamed up with IBMA Award-winning torchbearers The Po’ Ramblin’ Boys. “The Birds Know” is a follow-up to 2023’s “The Long and Lonesome Letting Go” which also featured The Po’Ramblin’ Boys.
If you are already a fan of MerleFest, then you can skip to No. 1. For the uninitiated, however, MerleFest is the younger, Eastern cousin of the Telluride Bluegrass Festival. I discovered this gem of Americana festivals more than two decades ago after I moved to North Carolina from spending nearly a decade out West attending the Telluride festival. You may be surprised to learn that MerleFest has nothing to do with Merle Haggard, although that has proved confusing over the years. It was especially confusing the year the Hag himself closed out the four-day music festival. Instead it is named in memory of Eddy Merle Watson, son of bluegrass legend and North Carolina native Doc Watson. Known as one of the best flat-picking and slide guitarists of his generation, Merle Watson died in a farming accident in 1985 at the age of 36. Doc Watson started the Americana festival that bears his son’s name as a fundraiser for Wilkes Community College in 1988 to honor his son and their style of music, that Doc referred to as “traditional plus,” meaning the traditional music of the Appalachian region plus whatever other styles the Watsons were in the mood to play. We lost Doc Watson in 2012 but he and Merle Watson’s musical celebration continues on featuring bluegrass, Americana, country, blues, rock and many other styles. This year’s festival will play host to a diverse number of artists, performing on 13 stages during the course of the four-day event April 23-26. Watch this video from the very first #MerleFest 1988 featuring Mark O’Connor, Tony Rice, Jerry Douglas, Béla Fleck, Sam Bush and John Cowan, many of whom will be performing this year. And while there are many more than 12 reasons to attend MerleFest, it seemed fitting to highlight a dozen reasons since that is the same number of stages the festival features.
Fans of Yarn and RoosterWalk Music and Arts Festival will be excited to hear that the 5th rendition of the band’s annual alternative music festival is moving to Pop’s Farm just outside Martinsville, Virginia, on Oct. 16-18, 2025.
Tickets are on sale now at this link and start $110. The event’s address is 675 Hobson Road, Axton, Virginia.
Band leader and founder Blake Christiana says, “We are moving Yarnival 5 to Pop’s Farm in an effort to make it just a little bit bigger and hopefully even better. Big huge thanks and love to Jay and Constance Wyant for allowing us to grow this event at Alder Creek Farm for its first four years.
“In sticking with our small festival appeal where every ticket is a VIP, we will be limiting the number of tickets we sell and continue the laidback vibe that has made our past Yarnival’s so welcoming, friendly and comfortable. WE DO EXPECT A SELL OUT, SO GET YOUR TICKETS IN ADVANCE.
“We will continue to feature whatever kind of music we feel like alongside our feature of alternative forms of entertainment, i.e. magic, carnival arts, circus performers, burlesque, etc… You won’t be seeing any super ‘big names’ at our festival but you will be seeing talent that is equal to or even greater than said ‘big names.’ Most likely some will even go on to become ‘big names.’ The difference between a band that draws a hundred people every night and 10,000 people every night is a tiny speck of dust. Albeit magic dust, but just a little dust nonetheless.”
More about Yarn
Blake Christiana, founding member of Yarn, has the music in him. In fact, you could say that Blake is the music and the music is Blake; that’s how deeply he inhabits the songs he writes and plays. You can hear him struggling with his feelings, whether it’s on a skittering country shuffle or on a mid-tempo folk ballad or a straight-ahead rocker. His restless search for the chords and lyrics over the past 20 years has produced a plethora of memorable music, and since 2007 he’s led Yarn, a band that’s evolved from its earliest days as a bar band in New York City to an outstanding roots band that’s shared stages with Dwight Yoakam, Marty Stuart, Alison Krauss, and Leftover Salmon, among many others.
Yarn got their start by playing a weekly residency at Kenny’s Castaways in Greenwich Village in 2007. “We played there every Monday night for two years. I was writing like crazy, and we’d try out the songs. It was like rehearsing on stage; every night was different, and sometimes we played in front of five people and sometimes there’d be 100 people there.” Over the years, musicians have rotated in and out of Yarn, but drummer Robert Bonhomme and bassist Rick Bugel, along with Christiana, have remained the core of the band.
17 years and over 10 albums later, Yarn has a new album, “Born, Blessed, Grateful & Alive,” out in July 2024, and their exuberance shines as bright as ever; they lay down jubilant songs—even when the lyrics might be a little less than joyous—and play effortlessly across a number of genres. Joining Christiana, Bonhomme, and Bugel in the studio for this he album were guitarists Mike Robinson (Railroad Earth), Andy Falco (Infamous Stringdusters), and Mike Sivilli (Dangermuffin), bassist Johnny Grubb (Railroad Earth), harmony vocalists Heather Hannah and Elliott Peck (Midnight North), and keyboardist Damian Calcagne, who co-produced the album along side Blake Christiana.
The soaring Allman Brothers-esque mid-tempo rocker “Turn Off the News” opens with a cascading piano run that tumbles into the band’s echoing vocals that reverberate with a gospel-inflected acclimation of the joy we feel when we can “turn of the news” and “shake off the blues” of the incessant 24 hour depressing news cycle. The country shuffle “Somethings Gotta Change” strolls along the crystalline riffs of a pedal steel that darts in and out of a honky-tonk piano; the song exudes a joyous spirit even in the face of the world falling down around it.
On Saturday, Feb. 15, the Cameron Art Museum in Wilmington, North Carolina, will once again host a special performance by Grammy-nominated singer-songwriterTift Merritt and North Carolina Artist Thomas Sayre.
“Four Walls, Four Songs,” a sound response to Thomas Sayre’s “Four Walls,” returns to Cameron Art Museum for a reprise at 7 p.m. The performance explores the burned, brushed, rusted and razed layers of Sayre’s visual work. Merritt’s multi-movement piece uses voice, piano, and guitar while drawing us deeper into the elemental artworks on display in Sayre’s “Four Walls.” Drawing from a deep friendship and creative dialogue between the two artists, Merritt crafts a sound exploration that resonates with the materials, visuals, and questions posed by Sayre’s monumental piece.
The first showing of this performance in September 2024 sold out completely, with one attendee describing it as “a remarkable multi-sensory exhibit that pushed the bounds of the typical gallery/museum experience.”
Tickets for CAM Members are $75; not-yet members $100.
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