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Musings on folk, Americana, country, bluegrass and newgrass


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A dozen reasons to attend MerleFest 2026 on April 23-26

If you are already a fan of MerleFest, then you can skip to No. 1. For the uninitiated, however, MerleFest is the younger, Eastern cousin of the Telluride Bluegrass Festival. I discovered this gem of Americana festivals more than two decades ago after I moved to North Carolina from spending nearly a decade out West attending the Telluride festival. You may be surprised to learn that MerleFest has nothing to do with Merle Haggard, although that has proved confusing over the years. It was especially confusing the year the Hag himself closed out the four-day music festival. Instead it is named in memory of Eddy Merle Watson, son of bluegrass legend and North Carolina native Doc Watson. Known as one of the best flat-picking and slide guitarists of his generation, Merle Watson died in a farming accident in 1985 at the age of 36. Doc Watson  started the Americana festival that bears his son’s name as a fundraiser for Wilkes Community College in 1988 to honor his son and their style of music, that Doc referred to as “traditional plus,” meaning the traditional music of the Appalachian region plus whatever other styles the Watsons were in the mood to play. We lost Doc Watson in 2012 but he and Merle Watson’s musical celebration continues on featuring bluegrass, Americana, country, blues, rock and many other styles. This year’s festival will play host to a diverse number of artists, performing on 13 stages during the course of the four-day event April 23-26. Watch this video from the very first #MerleFest 1988 featuring Mark O’Connor, Tony Rice, Jerry Douglas, Béla Fleck, Sam Bush and John Cowan, many of whom will be performing this year. And while there are many more than 12 reasons to attend MerleFest, it seemed fitting to highlight a dozen reasons since that is the same number of stages the festival features.

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Caleb Caudle & the Sweet Critters to perform album release show at Wake Forest Listening Room on Saturday, Aug. 31

If you are a fan of this blog or have been following me for awhile, you know I am a big fan of Caleb Caudle, a Stokes County, North Carolina, native whom I had the pleasure of discovering at the now, unfortunately, defunct Phuzz Phest nearly a decade ago in Winston-Salem.

Here’s what I wrote at the time for The Huffington Post:

“Caudle weaves the richness of the tobacco leaves he grew up between into the flavor of his songs. The singer-songwriter plays acoustic guitar and harmonica, rockin’ it out one minute and switching to a haunting ballad the next. Think Steve Earle pre-heroin.”

If you haven’t heard Caudle play, don’t take my word for how talented he is, go see him for yourself this holiday weekend at the Wake Forest Listening Room on Saturday, Aug. 30. Tickets are $20 and the show starts at 7:30 p.m.

According to the Listening Room’s website, Caudle’s show is also the release of his sixth studio album “Sweet Critters.”

Through sometimes shadowy arrangements that creep and lurk, Caudle continues to mine both the brightest and murkiest corners of his imagination, finding that purest of points where tenderness and grit collide, inspired by musical heroes like Buddy Miller and Guy Clark, and mentors like Elizabeth Cook and John Paul White. It was White who Caudle tapped to produce Sweet Critters, along with Ben Tanner, at the duo’s Florence, Alabama studio Sun Drop Sound.

White is also performing at the Wake Forest Listening Room on Sept. 6 but the show is sold out, according to the website.

“I was very excited to work with Caleb on this record. Iʼve been a fan for Iʼve been a fan for years and count him as a friend,” White says of working with Caudle. “Heʼs a stellar songwriter, so I knew heʼd bring the goods. And he did.” The album features Allison Russell, Aoife OʼDonovan, John Paul White, and Caudleʼs own touring band.

These songs are a showcase of Caudle’s singular command of language. He sees the world through a hyperreal lens wholly unique to him, one that renders dank humidity “horsefly heat,” a moody sky “cast iron skillet” dark, or a loved one’s “wind chime of a smile.” For Caudle, details are the last frontier in a world where thousands of new songs are created every day. As such, he weaves his intricate tales of redemption, sacrifice, forgiveness, and loss with the colorful threads of living, breathing characters and all the rich idiosyncrasies and ephemera that fill out their worlds.

Caudle and his band have played Stagecoach, Cayamo, Luck Reunion, Mountain Stage, Merlefest, Americanafest, The Long Road (UK), AMAUK (UK), and recently supported Marty Stuart, Steve Earle, Hayes Carll, Elizabeth Cook, Brent Cobb, Charles Wesley Godwin, Ray Wylie Hubbard, and many more.

In other notable news, Caudle is headed to his Grand Ole Opry debut in Nashville on Nov. 23! You can learn more on his website at https://www.calebcaudle.com/


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On Huffington Post: Exclusive premiere of Chatham County Line’s video ‘All That’s Left’

Read the following post on The Huffington Post here.

I first had the pleasure of hearing Chatham County Line play live at MerleFest a few years ago and then again in the summer of 2015 at The Steel Wheel’s Red Wing Roots Music Festival. What initially drew me to this Raleigh, North Carolina-based quartet is that in addition to the unique mix of bluegrass, folk and Americana tunes they harmonize so beautifully on is the fact that they typically crowd around a single, large, silver radio microphone. And that’s not the band’s only nod to the past. Much like Jerry Douglas’s Earls of Leicester, they perform in old-timey tailored suits, harkening back to the Golden Age of the Grand Ole Opry.

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On Huffington Post: Don’t miss Josh Shilling and Mountain Heart online and on the Grand Ole Opry

The following post also ran on The Huffington Post here.

If you weren’t at Pop’s Farm in Axton, Virginia, the home of Rooster Walk Music and Arts Festival, under the stars on Saturday, Aug. 20, you missed an incredible high-energy performance by the incomparable Southwest Virginia native Josh Shilling and his band, Mountain Heart.

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