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Musings on folk, Americana, country, bluegrass and newgrass


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An Evening with the Couldn’t Be Happiers on Friday, June 20, at Wake Forest Listening Room

An Evening with Couldn’t Be Happiers

The name says it all.

Tuck Satterfield of The Simple Joy writes: “Energetic and quirky, Couldn’t Be Happiers is a folk-rock /Americana duo that enjoys every moment of their second chance at happiness. And it’s pretty damn contagious. Described by Doug Davis of Flytrap Studios as ‘Violent Femmes meets Johnny and June,’ this married songwriting duo joyfully blends rock, pop, bluegrass, and folk into a sound that is uniquely their own. The CBH songbook includes stories about the obsessive drive of a Bigfoot hunter, the life cycle of a plastic bag, the end of the world from global warming, the untold perspective of the first woman hanged in North Carolina, and the acrobatic feats of strength performed by a Cajun burglar feeding his gambling habit. But aside from the stories, what you’ll notice first is the voices — and in particular the beautiful homespun harmonies. Those voices will take you from church to holler to Opry and back again all in one song, thanks to the exhilarating power of Jodi’s vocals and the smoothly classic twang of Jordan’s. With Jodi on drums and harmonica, and Jordan on guitar, Couldn’t Be Happiers roll out an incredible sound, a set of great original songs, and a live show that all but dares you not to enjoy yourself.”

If you want to hear more, head on out to The Wake Forest Listening Room, 415 Brooks St., on Friday, June 20!

The Wake Forest Listening Room features original local, regional and national musicians.

Find tickets at: www.etix.com/ticket/p/65028954/an-evening-with-couldnt-be-happiers-wake-forest-wake-forest-listening-room

Public  · Anyone


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Wake Forest Listening Room presents ‘A Doc Watson Evening’ author and music event on Thursday, Feb. 13

This special event combines an author event featuring Eddie Huffman, author of the new Doc Watson biography, followed by a performance from Joseph Terrell of Mipso, who’ll play some Doc tunes and a few of his own.

Wake Forest Listening Room

 6 p.m. on Feb. 13, 2025

Doors Open: 5:30 PM

Tickets are $16.95 in advance.

About the Book:

The story of a small-town man who changed music forever

Arthel “Doc” Watson (1923–2012) is arguably one of the most influential musicians Appalachia has ever produced. A musician’s musician, Doc grew up on a subsistence farm in the North Carolina mountains during the Depression, soaking up traditional music and learning to play guitar even though he was blind. Rising to fame in the 1960s as part of the burgeoning folk revival scene, Doc became the face of traditional music for many listeners, racking up multiple Grammys and releasing dozens of albums over the course of his long career. Eddie Huffman tells the story of Doc’s life and legacy, drawing on extensive interviews and hundreds of hours of archival research. In making the most comprehensive biography of Watson ever, Huffman gives us an affecting and informative portrait of the man they called Doc.

Full of fascinating stories—from Doc’s first banjo made from his grandmother’s cat to the founding of MerleFest—this promises to be the definitive biography of the man and how he came to be synonymous with roots music in America and shows how his influence is still felt in music today.

About the Author: 

Eddie Huffman is a writer, reporter and author of “John Prine: In Spite of Himself.” He lives in Greensboro, North Carolina.

About Joseph Terrell:

Joseph Terrell has spent 10 years singing, writing songs, and playing guitar with Americana quartet Mipso. His debut solo album “Good For Nothing Howl” (Sleepy Cat Records) features talking roses, screaming oak trees, and the fortune-telling powers of persimmons. The result is a kaleidoscope of folk tradition and sonic playfulness with images of Terrell’s native North Carolina woods sparkling in the foreground, calling you to pay attention.


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Caleb Caudle & the Sweet Critters to perform album release show at Wake Forest Listening Room on Saturday, Aug. 31

If you are a fan of this blog or have been following me for awhile, you know I am a big fan of Caleb Caudle, a Stokes County, North Carolina, native whom I had the pleasure of discovering at the now, unfortunately, defunct Phuzz Phest nearly a decade ago in Winston-Salem.

Here’s what I wrote at the time for The Huffington Post:

“Caudle weaves the richness of the tobacco leaves he grew up between into the flavor of his songs. The singer-songwriter plays acoustic guitar and harmonica, rockin’ it out one minute and switching to a haunting ballad the next. Think Steve Earle pre-heroin.”

If you haven’t heard Caudle play, don’t take my word for how talented he is, go see him for yourself this holiday weekend at the Wake Forest Listening Room on Saturday, Aug. 30. Tickets are $20 and the show starts at 7:30 p.m.

According to the Listening Room’s website, Caudle’s show is also the release of his sixth studio album “Sweet Critters.”

Through sometimes shadowy arrangements that creep and lurk, Caudle continues to mine both the brightest and murkiest corners of his imagination, finding that purest of points where tenderness and grit collide, inspired by musical heroes like Buddy Miller and Guy Clark, and mentors like Elizabeth Cook and John Paul White. It was White who Caudle tapped to produce Sweet Critters, along with Ben Tanner, at the duo’s Florence, Alabama studio Sun Drop Sound.

White is also performing at the Wake Forest Listening Room on Sept. 6 but the show is sold out, according to the website.

“I was very excited to work with Caleb on this record. Iʼve been a fan for Iʼve been a fan for years and count him as a friend,” White says of working with Caudle. “Heʼs a stellar songwriter, so I knew heʼd bring the goods. And he did.” The album features Allison Russell, Aoife OʼDonovan, John Paul White, and Caudleʼs own touring band.

These songs are a showcase of Caudle’s singular command of language. He sees the world through a hyperreal lens wholly unique to him, one that renders dank humidity “horsefly heat,” a moody sky “cast iron skillet” dark, or a loved one’s “wind chime of a smile.” For Caudle, details are the last frontier in a world where thousands of new songs are created every day. As such, he weaves his intricate tales of redemption, sacrifice, forgiveness, and loss with the colorful threads of living, breathing characters and all the rich idiosyncrasies and ephemera that fill out their worlds.

Caudle and his band have played Stagecoach, Cayamo, Luck Reunion, Mountain Stage, Merlefest, Americanafest, The Long Road (UK), AMAUK (UK), and recently supported Marty Stuart, Steve Earle, Hayes Carll, Elizabeth Cook, Brent Cobb, Charles Wesley Godwin, Ray Wylie Hubbard, and many more.

In other notable news, Caudle is headed to his Grand Ole Opry debut in Nashville on Nov. 23! You can learn more on his website at https://www.calebcaudle.com/


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Wake Forest Listening Room presents ‘An Evening with Sarah Siskind’ on Friday, Nov. 17

 

Sarah Siskind’s artistry speaks for itself – an arresting voice; a respected, much-covered songwriter; a frequently-licensed recording artist; an admired, free-spirited, commanding performer. 

You can catch this Winston-Salem native at 7:30 p.m. on Friday, Nov. 17, for $12 at the Wake Forest Listening Room.

Siskind’s songs have been covered by Alison Krauss, Bon Iver, Wynonna, Randy Travis and many others. She’s had more than 20 songs in the hit TV series “Nashville,” including the unofficial theme song “A Life That’s Good,” and heart-wrencher “Sanctuary” which was recently performed on “American Idol” by a finalist. 

Her latest album, “Modern Appalachia,” finds Siskind clothed in authenticity, where mountain melodies intertwine with progressive turns, a sonic interpretation of how she uniquely weaves the traditional with the progressive.  Guitar legend Bill Frisell and indie icon Justin Vernon (Bon Iver) guest along with band Daniel Kimbro, Mike Seal, Jeff Sipe and Rose Cousins.  Mary Chapin Carpenter, whom Siskind has opened for, calls the album “heart-stoppingly GREAT.”

Growing up in a North Carolina house so steeped in music; she claims it as her first language. “I almost find it hard to talk about my music,” Siskind says, “speaking is really my second form of communication.” After moving to Nashville at the age of 20, her song “Goodbye Is All We Have” was recorded by Alison Krauss, which led to a job at Big Yellow Dog as a staff writer. Siskind went to have songs recorded by Randy Travis, Wynonna, Point of Grace, Madi Diaz, and countless others.  Her music has also found its way onto television, where her songs have been heavily featured on MTV’s “Teen Mom 2,” MTV’s “Awkward,” ABC’s “Pretty Little Liars,” Lifetime’s “Army Wives” and HBO’s “The Wire.” She made her primetime TV debut in 2014, performing “Nashville”’s hit “A Life That’s Good” from the Ryman stage with the show’s cast and co-writer Ashley Monroe. 

But her notoriety as a songwriter has not overshadowed her virtuosity as an artist. As I wrote in The Huffington Post, “Siskind has been compared to Bonnie Raitt and Brandi Carlile, but in my humble opinion, she’s incomparable.” In 2009, Siskind released her album, “Say It Louder” on Thirty Tigers, which met with critical acclaim and won “Americana Album of the Year” at the Nashville Music Awards. 

In 2009, Siskind released her album, “Say It Louder” on Thirty Tigers, which met with critical acclaim and won “Americana Album of the Year” at the Nashville Music Awards. Her earlier album “Covered,” the release of which was derailed due to health issues, was brought back to life in 2014 by Justin Vernon (Bon Iver), who personally sought it out for re-release on his record label Jagjaguwar. 

Since then, Siskind has become a regular NPR performer, with features on Tiny Desk concerts, World Cafe with David Dye, All Songs Considered, Song Of The Day, and most recently Mountain Stage. She has toured with Bonnie Raitt, Lee Ann Womack, Paul Brady, Bon Iver (who also famously covered her “Lovin’s For Fools”), and The Swell Season.


Check out other upcoming shows including The Gravy Boys and Songs from the Road Band at this link.


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Wake Forest Listening Room reopens for local musicians, audiences

Editor’s Note: This article was first published in The Wake Weekly here.

Listen up: The Wake Forest Listening Room is back and ready for musicians and audiences.

Started in 2017, the Wake Forest Listening Room hosted a series of performances featuring local and regional original musicians.

The owners state on the website the main intent behind the listening room was to give artists a “sacred space” where their music could be focused on by the audience with no distractions such as sports on TV or loud conversations.

“The series found a permanent home downstairs from Sugar Magnolia Cafe, where we hosted more than 300 performances before COVID shut us down in late 2021. In October 2023, we’re re-opening in the new space next door to our independent Wake Forest bookstore, Page 158 Books.”

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The shows must go on at Wake Forest Listening Room

WAKE FOREST, NORTH CAROLINA — The Wake Forest Listening Room shows with Momma Molasses and Sarah Siskind at Magnolia Roots will go on as scheduled this weekend, March 13 and March 14, unless they hear differently from the artists. So, come out and support live, original music if you can. The musicians – and the venues – will appreciate it. Check social media for updates here.

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