Bluegrass is back in Raleigh beginning Tuesday with IBMA’s World of Bluegrass featuring the annual Business Conference, award shows, showcases, the Ramble, free music on stages spread across downtown on Friday and Saturday and of course, the headliners at Red Hat Amphitheatre.
Beginning Tuesday, the International Bluegrass Music Association’s Official Showcases are the premier platform for introducing talent and new music to the bluegrass community during IBMA World of Bluegrass®. Each selected showcase act will perform at least twice during the week — typically once during the IBMA Business Conference and once at an IBMA Bluegrass Ramble venue.
All emerging bluegrass bands, as well as established bands with new music or new personnel, are encouraged to apply. Thousands of bluegrass fans fill six venues throughout Downtown Raleigh over three nights to catch the newest in bluegrass music!I
Today’s announcement by the International Bluegrass Music Association is bittersweet for me since it will be the last awards ceremony held in Raleigh, at least for awhile. That’s because last fall, IBMA annouced that this year’s annual IBMA Wide World of Bluegrass business conference and Bluegrass Live! festival will be its last in the Oak City.
But until we find out where IBMA is headed next, we will celebrate the nominees, recipients and inductees who will be honored at the 35th Annual Bluegrass Music Awards show on Thursday, Sept. 26, at the Martin Marietta Center for the Performing Arts in downtown Raleigh, North Carolina, during IBMA’s headline event of the year.
The nominations and honorees were announced on a radio broadcast at SiriusXM in Nashville, Tennessee, that featured live performances by nominees Missy Raines & Allegheny and Authentic Unlimited.
Billy Strings, Sister Sadie, Authentic Unlimited and Molly Tuttle & Golden Highway lead the nominations. Also announced during the event were this year’s Bluegrass Music Hall of Fame inductees and Distinguished Achievement Awards Recipients. Entering the Hall of Fame – the highest honor awarded by IBMA and its membership – are Jerry Douglas, Katy Daley and Alan Munde.
It’s the biggest night on the bluegrass calendar, according to IBMA, featuring once-in-a-lifetime moments and outstanding performances by the best in bluegrass.
And the nominees are:
ENTERTAINER OF THE YEAR Billy Strings Molly Tuttle & Golden Highway Del McCoury Band Sister Sadie The Po’ Ramblin’ Boys
VOCAL GROUP OF THE YEAR Authentic Unlimited Sister Sadie Blue Highway Del McCoury Band Molly Tuttle & Golden Highway
INSTRUMENTAL GROUP OF THE YEAR Billy Strings Michael Cleveland & Flamekeeper Travelin’ McCourys East Nash Grass Molly Tuttle & Golden Highway
SONG OF THE YEAR “Fall in Tennessee” – Authentic Unlimited Songwriters: John Meador/Bob Minner Producer: Authentic Unlimited Label: Billy Blue Records
“Too Lonely, Way Too Long” – Rick Faris with Del McCoury Songwriter: Rick Faris Producer: Stephen Mougin Label: Dark Shadow Recording
“Forever Young” – Daniel Grindstaff with Paul Brewster & Dolly Parton Songwriters: Jim Cregan/Kevin Savigar/Bob Dylan/Rod Stewart Producer: Daniel Grindstaff Label: Bonfire Music Group
“Kentucky Gold” – Dale Ann Bradley with Sam Bush Songwriters: Wayne Carson/Ronnie Reno Producer: Dale Ann Bradley Label: Pinecastle
ALBUM OF THE YEAR City of Gold – Molly Tuttle & Golden Highway Producers: Jerry Douglas/Molly Tuttle Label: Nonesuch
Last Chance to Win – East Nash Grass Producer: East Nash Grass Label: Mountain Fever
Jubilation – Appalachian Road Show Producer: Appalachian Road Show Label: Billy Blue Records
No Fear – Sister Sadie Producer: Sister Sadie Label: Mountain Home
So Much for Forever – Authentic Unlimited Producer: Authentic Unlimited Label: Billy Blue Records
GOSPEL RECORDING OF THE YEAR “When I Get There” – Russell Moore & IIIrd Tyme Out Songwriter: Michael Feagan Producer: Russell Moore & IIIrd Tyme Out Label: Independent
“Thank You Lord for Grace” – Authentic Unlimited Songwriter: Jerry Cole Producer: Authentic Unlimited Label: Billy Blue Records
“Just Beyond” – Barry Abernathy with John Meador, Tim Raybon, Bradley Walker Songwriters: Rick Lang/Mike Richards/Windi Robinson Producer: Jerry Salley Label: Billy Blue Records
“God Already Has” – Dale Ann Bradley Songwriter: Mark “Brink” Brinkman/David Stewart Producer: Dale Ann Bradley Label: Pinecastle
“Memories of Home” – Authentic Unlimited Songwriter: Jerry Cole Producer: Authentic Unlimited Label: Billy Blue Records
INSTRUMENTAL RECORDING OF THE YEAR “Rhapsody in Blue(grass)” – Béla Fleck Songwriter: George Gershwin arr. Ferde Grofé/Béla Fleck Producer: Béla Fleck Label: Béla Fleck Productions/Thirty Tigers
“Knee Deep in Bluegrass” – Ashby Frank Songwriter: Terry Baucom Producer: Ashby Frank Label: Mountain Home
“Panhandle Country” – Missy Raines & Allegheny Songwriter: Bill Monroe Producer: Alison Brown Label: Compass Records
“Lloyd’s of Lubbock” – Alan Munde Songwriter: Alan Munde Producer: Billy Bright Label: Patuxent
“Behind the 8 Ball” – Andy Leftwich Songwriter: Andy Leftwich Producer: Andy Leftwich Label: Mountain Home
NEW ARTIST OF THE YEAR East Nash Grass Bronwyn Keith-Hynes AJ Lee & Blue Summit Wyatt Ellis The Kody Norris Show
COLLABORATIVE RECORDING OF THE YEAR “Brown’s Ferry Blues” – Tony Trischka featuring Billy Strings Songwriters: Alton Delmore/Rabon Delmore Producer: Béla Fleck Label: Down the Road
“Fall in Tennessee” – Authentic Unlimited with Jerry Douglas Songwriters: John Meador/Bob Minner Producer: Authentic Unlimited Label: Billy Blue Records
“Forever Young” – Daniel Grindstaff with Paul Brewster, Dolly Parton Songwriters: Jim Cregan/Kevin Savigar/Bob Dylan/Rod Stewart Producer: Daniel Grindstaff Label: Bonfire Music Group
“Bluegrass Radio” – Alison Brown and Steve Martin Songwriters: Steve Martin/Alison Brown Producers: Alison Brown/Garry West Label: Compass Records
“Too Old to Die Young” – Bobby Osborne and CJ Lewandowski Songwriters: Scott Dooley/John Hadley/Kevin Welch Producer: CJ Lewandowski Label: Turnberry Records
MALE VOCALIST OF THE YEAR Dan Tyminski Greg Blake Del McCoury Danny Paisley Russell Moore
FEMALE VOCALIST OF THE YEAR Molly Tuttle Jaelee Roberts Dale Ann Bradley AJ Lee Rhonda Vincent
BANJO PLAYER OF THE YEAR Kristin Scott Benson Gena Britt Alison Brown Béla Fleck Rob McCoury
BASS PLAYER OF THE YEAR Missy Raines Mike Bub Vickie Vaughn Todd Phillips Mark Schatz
FIDDLE PLAYER OF THE YEAR Jason Carter Bronwyn Keith-Hynes Michael Cleveland Stuart Duncan Deanie Richardson
RESOPHONIC GUITAR PLAYER OF THE YEAR Justin Moses Rob Ickes Jerry Douglas Andy Hall Gaven Largent
GUITAR PLAYER OF THE YEAR Billy Strings Molly Tuttle Trey Hensley Bryan Sutton Cody Kilby
MANDOLIN PLAYER OF THE YEAR Sierra Hull Sam Bush Ronnie McCoury Jesse Brock Alan Bibey
MUSIC VIDEO OF THE YEAR “Willow” – Sister Sadie Label: Mountain Home
“Fall in Tennessee” – Authentic Unlimited Label: Billy Blue Records
“The City of New Orleans” – Rhonda Vincent & The Rage Label: Upper Management Music
“I Call Her Sunshine” – The Kody Norris Show Label: Rebel Records
“Alberta Bound” – Special Consensus with Ray Legere, John Reischman, Patrick Sauber, Trisha Gagnon, Pharis & Jason Romero, and Claire Lynch Label: Compass Records
BLUEGRASS MUSIC HALL OF FAME INDUCTEES Alan Munde Jerry Douglas Katy Daley
DISTINGUISHED ACHIEVEMENT AWARD RECIPIENTS Cindy Baucom Laurie Lewis Richard Hurst ArtistWorks Bloomin’ Bluegrass Festival
Recognizing those in the bluegrass community who work diligently to promote the genre, award-winning bass player Missy Raines served as emcee for the 2023 IBMA Industry Awards, which was sponsored by the California Bluegrass Association and publishers of the “Bluegrass Breakdown” newsletter.
“I have come to every single IBMA event and this one is dear to my heart,” Raines said as she kicked off Thursday’s luncheon and awards ceremony at the Raleigh Convention Center.
Ketch Secor and Molly Tuttle to host this year’s show on September 28
From the good folks at the International Bluegrass Music Association: Ketch Secor and Molly Tuttle have been announced as hosts for the 34th Annual IBMA Bluegrass Music Awards Show, presented by Yamaha, on Thursday, Sept. 28 during the 2023 IBMA World of Bluegrass®.
Secor is the consummate entertainer: the merry ringmaster, mischievous busker, passionate professor, modern Beat, and unassuming virtuoso, all rolled into one. Ketch is best known as the founder and frontman of Old Crow Medicine Show, a two-time GRAMMY Award-winning juggernaut whose triumphs include induction into the Grand Ole Opry and double-platinum certification for their iconic hit single “Wagon Wheel.” The scope and potency of Ketch’s work has long since spilled over to include documentaries, writing and starring in variety shows, authoring a children’s book, composing a musical, and launching a school. His myriad projects also include serving as an advisor, historical consultant, and featured speaker in Ken Burns’ acclaimed 2019 documentary Country Music. “Whether I’m in front of an audience of concert-goers or a six-year-old, whether I’m using puppets or a banjo, I’m always trying to show people that they can be mesmerized by a story, by a person, by a character,” says Ketch. “By humanity, really. By one another.”
Jubilee, releasing August 25 via ATO Records, is a companion album to Old Crow Medicine Show’s critically-acclaimed 2022 release Paint This Town and marks the band’s 25-year anniversary. The album was co-produced with Matt Ross-Spang, and features several special guests including legendary soul singer Mavis Staples, singer/songwriter Sierra Ferrell, and Old Crow co-founder Willie Watson, who records with the band for the first time in over 10 years on their recent single “Miles Away.”
Since moving to Nashville in 2015, Tuttle has continued to receive widespread accolades, most recently earning seven 2023 IBMA Bluegrass Music Awards nominations: Entertainer of the Year, Female Vocalist of the Year, Guitar Player of the Year, Album of the Year (Crooked Tree), Song of the Year (“Crooked Tree”), Instrumental Group of the Year and Collaborative Recording of the Year (“From My Mountain [Calling You]” with Peter Rowan and Lindsay Lou). Additionally, Tuttle also won Best Bluegrass Album at the 65th Annual GRAMMY Awards earlier this year (Crooked Tree), Album of the Year at the 2023 International Folk Music Awards, IBMA Female Vocalist of the Year in 2022, Instrumentalist of the Year at the 2018 Americana Music Awards, and IBMA Guitar Player of the Year in both 2017 and 2018.
Tuttle’s new album, City of Gold, was released last month on Nonesuch Records to critical praise. Once again produced by Tuttle and Jerry Douglas, City of Gold was inspired by Tuttle’s constant touring with Golden Highway these past few years and follows her 2022 release of Crooked Tree.
“I’m thrilled Ketch and Molly will host this year’s Awards Show,” said Paul Schiminger, Interim Executive Director of IBMA. “They are sure to make the ‘Biggest Night in Bluegrass’ a memorable and entertaining night for everyone gathered to celebrate a terrific year in bluegrass music!”
The International Bluegrass Music Association announced the nominees for this year’s IBMA Industry Awards and IBMA Momentum Awards, which will be presented during the IBMA World of Bluegrass on Sept. 26-30 in Raleigh, North Carolina. The announcement was made earlier this morning on SiriusXM Bluegrass Junction.
The Momentum Awards will take place on Wednesday, Sept. 27 at 11 a.m. (EST) at the IBMA World of Bluegrass Conference in Raleigh, North Carolina. The IBMA Industry Awards will follow on Thursday, Setp. 28, at 11 a.m. (EST), and also includes the IBMA Distinguished Achievement Awards presentations. Both awards luncheons will feature music and memorable presentations to and by this year’s recipients.
IBMA Interim Executive Director Paul Schiminger says, “The IBMA’s Industry Awards and Momentum Awards are important to recognize the exceptional contributions by those who are dedicated to furthering bluegrass music behind the scenes and those who are successful rising stars in our music. I can’t wait for the luncheons in Raleigh to honor them all. Congratulations to these nominees who are lifting bluegrass music to new heights!”
IBMA INDUSTRY AWARDS
The Industry Awards recognize outstanding work in categories including Broadcaster of the Year, Event of the Year, Graphic Designer of the Year, Liner Notes of the Year, Writer of the Year, Sound Engineer of the Year, and Songwriter of the Year.
Nominees in each category are selected by specially appointed committees made up of bluegrass music professionals who possess significant knowledge of that field. The recipient of each award is decided on by the Panel of Electors, an anonymous group of veteran bluegrass music professionals selected by the IBMA Board of Directors.
2023 IBMA INDUSTRY AWARDS NOMINEES
WRITER OF THE YEAR
Chris Jones
Craig Havighurst
Garret K. Woodward
Gary Reid
Stacy Chandler
SONGWRITER OF THE YEAR
Becky Buller
Jon Weisberger
Rick Faris
Thomm Jutz
Tim Stafford
SOUND ENGINEER OF THE YEAR
Aubrey Shamel
Brad Benge
Dewey Boyd
Key Chang
Steve Chandler
BROADCASTER OF THE YEAR
Barb Heller
Brad Kolodner
Michelle Lee
Ned Luberecki
Peter Thompson
GRAPHIC DESIGNER OF THE YEAR
Eric Barie
Gina Dilg
Grace van’t Hof
Pharis & Jason Romero
Tim Kapustka
LINER NOTES OF THE YEAR
Birthright: A Black Roots Music Compendium
Written by Ted Olson
Dom Flemons – Traveling Wildfire
Written by Dom Flemons
Jake Blount – The New Faith
Written by Jake Blount
Pharis & Jason Romero – Tell ‘em You Were Gold
Written by Pharis & Jason Romero
Sam Bush – Radio John: The Songs of John Hartford
Written by Sam Bush and Jon Weisberger
EVENT OF THE YEAR
Blue Highway Fest
Big Stone Gap, Virginia
Bluegrass in La Roche
La Roche-sur-Foron, France
Doc at 100
Various locations
Durango Bluegrass Meltdown
Durango, Colorado
Pickin’ in the Pines
Flagstaff, Arizona
IBMA MOMENTUM AWARDS
The Momentum Awards recognize both musicians and bluegrass industry professionals who, in the early stages of their careers, are making significant contributions to or are having a significant influence upon bluegrass music. These contributions can be to bluegrass music in general, or to a specific sector of the industry. The Mentor Award, in contrast to the other Momentum Awards, recognizes a bluegrass professional who has made a significant impact on the lives and careers of newcomers to the bluegrass industry.
Nominees are chosen through a multi-stage process by committees made up of respected musicians and industry leaders in the bluegrass world.
2023 IBMA MOMENTUM AWARDS NOMINEES
MOMENTUM BAND OF THE YEAR
Crying Uncle Bluegrass Band
The Fretliners
Hayde Bluegrass Orchestra
Never Come Down
MENTOR OF THE YEAR
Austin Scelzo
Dan Boner
Louisa Branscomb
Ruth McLain Smith
Scott Napier
INDUSTRY INVOLVEMENT
Daniel Mullins
Katie Kirchner
Maggie Rainwater
Matt Hutchinson
Mike Kaiz
INSTRUMENTALIST OF THE YEAR
Anthony Howell
Alex Genova
Gavin Largent
Jake Eddy
Josiah Nelson
Maddie Dalton
Michael Prewitt
VOCALIST OF THE YEAR
Carley Arrowood
Crystal Lariza
Nick Dumas
Starlett Austin
Tianna Lefebvre
IBMA World of Bluegrass is the most important week in bluegrass! The week encompasses four events: the IBMA Business Conference, September 26-28; the IBMA Bluegrass Ramble, an innovative series of showcases taking place September 26-28 in downtown Raleigh and at the Raleigh Convention Center; the 34th Annual IBMA Bluegrass Music Awards scheduled for Thursday evening, September 28, and IBMA Bluegrass Live! powered by PNC, September 29-30, a two-day festival. IBMA Bluegrass Live! features the best of the best in bluegrass today, benefiting the IBMA Trust Fund—a 501(c)(3) charitable organization that assists bluegrass professionals during financial emergencies—and introducing the music to thousands of new fans every year. Tickets are now on sale for all IBMA World of Bluegrass events; visit worldofbluegrass.org for details.
About IBMA
IBMA – the International Bluegrass Music Association – is the non-profit music association that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.
From the good folks at the International World of Bluegrass (IBMA):
Organizers of this year’s IBMA World of Bluegrass, taking place Sept. 27-Oct. 1 in downtown Raleigh, N.C., have revealed the full lineup of artists and daily schedule of performances for IBMA Bluegrass Live! powered by PNC.
The weekend festival will offer both ticketed and free Main Stage performances at Red Hat Amphitheater, and on five additional free StreetFest Stages in downtown Raleigh Friday, Sept. 30-Saturday, Oct. 1.
Main Stage performances at Red Hat Amphitheater for this year’s festival will begin at 5 p.m. both days and will feature premier bluegrass acts for six hours each day.
Additionally:
● This year’s festival includes a curated Arts Market featuring makers from local partners Artsplosure and Black Friday Market.
● Junior Appalachian Musicians (JAM) will be back at the Martin Street stage, sponsored by Ron and Nancy McFarlane, for the first time in three years. This stage is a festival favorite and an excellent way to showcase these young musicians’ talent, passion and authentic connection to the music.
● The Come Hear NC Stage returns to the open space in front of the Duke Energy Center for the Performing Arts. New this year is a beer garden featuring craft beers, as well as games and activities for the whole family to enjoy.
“When the festival is in town every third person has a fiddle, guitar or banjo on their back. It’s one of the best times of the year in downtown Raleigh,” said David Brower, festival producer and Executive Director of PineCone, the Raleigh-based non-profit that produces the festival. “I’m especially excited about the Capitol Stage, which this year features Southern gospel traditions, including bluegrass, string band and quartet gospel from Eastern North Carolina. It will be a joyful sound on that end of downtown.”
For the 10th year, PNC Bank returns as the presenting sponsor of IBMA Bluegrass Live! powered by PNC. “As PNC commemorates 10 years of doing business in North Carolina, we can’t think of a better way to demonstrate our long-term commitment to the Triangle than by helping bring regionally meaningful live music to the streets of downtown Raleigh,” said Jim Hansen, PNC regional president for Eastern Carolinas. “This sponsorship represents one of the many ways PNC is supporting the community and driving economic impact locally.”
The schedule for the Main Stage performances at Red Hat Amphitheater:
Friday, Sept. 30
5:00 p.m. Twisted Pine
6:00 p.m. Balsam Range
7:05 p.m. Peter Rowan Bluegrass Band
8:10 p.m. Molly Tuttle & Golden Highway
9:30 p.m. Jerry Douglas Band
Saturday, Oct. 1
5:00 p.m. Della Mae
6:00 p.m. Dan Tyminski
7:05 p.m. Dom Flemons & Shultz’s Dream, featuring: Brian Farrow, Dante Pope, Richard Brown
and Tray Wellington
8:10 p.m. Sierra Hull
9:30 p.m. Infamous Stringdusters
Friday, Sept. 30 StreetFest Schedule:
Come Hear NC Stage (located on the flat parking lot in front of the Duke Energy Center for the Performing Arts)
Buffalo Commons
Jim Lauderdale
Dewey & Leslie Brown and the Carolina Gentlemen
Sister Sadie
California Bluegrass Reunion: Darrol Anger, Chad Manning, Jim Nunally, Bill Evans,
John Reischman, Sharon Gilchrist
Tray Wellington Band
Frank Solivan & Dirty Kitchen
Darin & Brooke Aldridge
Della Mae
Davie Street Stage (located near the intersection of Davie and Fayetteville streets)
California Bluegrass Reunion: Darrol Anger, Chad Manning, Jim Nunally, Bill Evans,
John Reischman, Sharon Gilchrist
Steve Smith & Tim May
Stillhouse Junkies
Crying Uncle Bluegrass Band
Joe Newberry & Jim Collier
Terry Baucom’s Dukes of Drive
Sister Sadie
Gangstagrass
The Sweet Lillies
Martin Street Stage (located on Martin Street between Fayetteville and Wilmington streets)
JAM curated bands
Twisted Pine
Liam Purcell & Cane Mill Road
Slocan Ramblers
Capitol Stage (located on Fayetteville Street between Martin & Hargett streets)
Dedicated Men of Zion
Mountain Highway
Lorraine Jordan
Caleb Serrano
Alan Bibey & Grasstowne
Dedicated Men of Zion
City Plaza Youth Stage (located on Fayetteville Street across from the Marriott)
Kids on Bluegrass
Fair Black Rose
BJUgrass (Bob Jones University)
UNC Asheville Bluegrass Band
ETSU Bluegrass Pride Band
Denison University Bluegrass Ensemble
KSBTM Bluegrass Band (Hazard Community & Technical College)
Tigertown Roots (Clemson University)
Belmont University Bluegrass Ensemble
World of Bluegrass Open Bluegrass Jams
Dan Bui (Twisted Pine)
Gangstagrass
Crying Uncle Bluegrass Band
Hank Pattie & The Current
Saturday, Oct. 1 StreetFest Schedule
Come Hear NC Stage (located on the flat parking lot in front of the Duke Energy Center for the Performing Arts)
Rocky Creek Ramblers
Violet Bell
John Hartford Fiddle Tune Project: The Tour
Tray Wellington Band
Special Consensus
Unspoken Tradition
Sideline
Henhouse Prowlers
Gangstagrass
Davie Street Stage (located near the intersection of Davie and Fayetteville streets)
Hayde Bluegrass Orchestra
Fair Black Rose
East Nash Grass
Earl White String Band
Danny Paisley
Hank, Pattie & The Current
Missy Raines & Allegheny
Chris Jones & the Nightdrivers
Damn Tall Buildings
Martin Street Stage (located on Martin Street between Fayetteville and Wilmington streets)
JAM curated bands
Diamond Creek
Into the Fog
Buffalo Commons
Capitol Stage (located on Fayetteville Street between Martin & Hargett streets)
The Burnett Sisters
The Gospel Jubilators
Dave Adkins Band
The Glorifying Vines
The Cockman Family
Brother Jerry Harrison & Faith
Darin & Brooke Aldridge
Faith & Harmony
City Plaza Youth Stage (located on Fayetteville Street across from the Marriott)
Kids on Bluegrass
UNC Bluegrass Band
Berea College
Colorado College
Berklee College of Music
Morehead State University
KSBTM Bluegrass Band (Hazard Community & Technical College)
Pellissippi State Community College
World of Bluegrass Open Bluegrass Jams (Market Plaza, Fayetteville St)
Earl White
Youth Jam with Fair Black Rose & The Loblollies
Tray Wellington
Hank, Pattie & The Current
All performers listed are subject to change. Updated artist information, as well as performance times and stages, will be posted in September at https://worldofbluegrass.org/festival Schedules will also be posted at each stage, and QR codes posted throughout the festival will allow festival-goers to access the full schedule and festival map on their phones. Participants who want a printed schedule are encouraged to print that ahead of time from the IBMA World of Bluegrass website.
Pat Morris, Executive Director of IBMA, offered additional comments on today’s schedule announcement: “What a great lineup for this year’s IBMA Bluegrass Live! powered by PNC. Music fans can enjoy great bluegrass from excellent musicians in a festive environment like no other. Come to Raleigh and surround yourself with the best fans in the world enjoying the best music in the world.”
A portion of the proceeds from IBMA Bluegrass Live! powered by PNC supports the IBMA Trust Fund, a 501(c)(3) that provides direct financial assistance to bluegrass artists and other industry professionals in times of emergency need. Since its creation in 1987, the Trust Fund has given more than $1,000,000 in direct aid. To meet the needs of the bluegrass community during the pandemic, the IBMA Trust Fund Board of Trustees established an account specifically for COVID-19 Relief.
Information about Red Hat Amphitheater ticketing, IBMA Bluegrass Ramble showcase passes, IBMA Business Conference registration, IBMA Bluegrass Music Awards tickets and hotel reservations are available at the IBMA World of Bluegrass website, WorldofBluegrass.org.
Additional sponsors who helped make this year’s festival and World of Bluegrass week events possible include Come Hear NC, Ron and Nancy McFarlane, JAM, Chevy, WRAL, Wegmans, Michelob Ultra, Wicked Weed, Stella Artois, Devil’s Backbone, Boone, WakeMed, Pepsi, Cheerwine, Nature’s Twist, Parker Poe, Bandwidth, NC Lotto, Chick-fil-A, RALIcares, Campbell University School of Law and others.
More info about IBMA World of Bluegrass and the IBMA Bluegrass Live! powered by PNC Festival
IBMA World of Bluegrass is the most important week in bluegrass. The week encompasses four events: the IBMA Business Conference, Sept. 27-29; the IBMA Bluegrass Ramble, an innovative series of showcases taking place Sept. 27-29 in downtown Raleigh and at the Raleigh Convention Center; the 33rd Annual IBMA Bluegrass Music Awards scheduled for Thurs. evening, Sept. 29; and IBMA Bluegrass Live! powered by PNC, Sept. 30-Oct. 1, a two-day festival. IBMA Bluegrass Live! features the best of the best in bluegrass today, benefiting the IBMA Trust Fund.
As in years past, events during World of Bluegrass will take place at the Raleigh Convention Center, the Duke Energy Center for the Performing Arts, the Red Hat Amphitheater and at various venues in town.
IBMA – the International Bluegrass Music Association – is the non-profit music association that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.
PineCone is the Piedmont Council of Traditional Music. It is a Raleigh-based non-profit that serves as the official local host and festival producer for IBMA’s World of Bluegrass. It was founded in 1984 by a group of friends looking to preserve, present and promote music and dance that’s rooted in the Piedmont. PineCone hosts year-round events that highlight rich and diverse musical traditions that’ve been passed down informally for generations. There’s more about PineCone’s concerts, jam sessions, workshops, camps, youth programs and weekly radio show at Pinecone.org.
PNC Bank, National Association, is a member of The PNC Financial Services Group, Inc. (NYSE: PNC). PNC is one of the largest diversified financial services institutions in the United States, organized around its customers and communities for strong relationships and local delivery of retail and business banking including a full range of lending products; specialized services for corporations and government entities, including corporate banking, real estate finance and asset-based lending; wealth management and asset management. For information about PNC, visit http://www.pnc.com.
The City of Raleigh is the capital of North Carolina, home to several colleges and universities, with a vibrant performing arts community. Fueled by an impressive mix of education, ingenuity and collaboration, North Carolina’s capital city has become an internationally recognized leader in life science and technology innovation.
Greater Raleigh Convention and Visitors Bureau (Visit Raleigh)
As the official destination marketing organization for Wake County, the Greater Raleigh Convention and Visitors Bureau (Visit Raleigh), is responsible for promoting Wake County as an attractive travel destination and enhancing its public image as a dynamic place to live and work. Through the impact of travel, the organization strengthens the economic position of and provide opportunity for people throughout Wake County. Raleigh, N.C./Wake County welcomes nearly 13 million visitors annually whose spending tops $1.7 billion. The visitor economy supports more than 17,000 local jobs in Wake County and generates $186 million in state and local tax revenues, saving each Wake County household $470 in taxes annually. visitRaleigh.com
About Raleigh Convention and Performing Arts Complex
The Raleigh Convention and Performing Arts Complex encompasses four city-owned and managed facilities that bring together local residents, out-of-town visitors and a host of performing artists from around the country and the world.
In the heart of North Carolina’s vibrant capitol city, three of the four venues welcome some 1 million visitors to downtown Raleigh each year. The award-winning, 500,000-square-foot Raleigh Convention Center is a leader in innovation, sustainability and guest experience. Next door sits the city’s signature open-air music venue, the Red Hat Amphitheater, with 6,000 seats and a buzzworthy schedule of musical performances.
A short walk away, the Duke Energy Center for the Performing Arts offers four unique theaters, seating from 150 to 2,369, and is home to resident companies Carolina Ballet, North Carolina Theatre, North Carolina Symphony, North Carolina Opera and PineCone. Beyond Downtown Raleigh, Coastal Credit Union Music Park at Walnut Creek boasts a 20,000-person capacity amphitheater on 77 rolling green acres and regularly packs the house with big-name acts.www.raleighconvention.com/complex
Raleigh, put on your dancing shoes because the boys of Scythian are coming back to town on Thursday, Feb. 27.
They have rocked the dance tent at the annual International Bluegrass Music Association (IBMA) for years, kept First Night Raleigh attendees warm and festival goers on their feet as perennial favorites at MerleFest and Bristol Rhythm and Roots Reunion, among many others.
Named after Ukrainian nomads, Scythian (pronounced sith-ee-yin) plays immigrant rock with thunderous energy, blending Irish-Gypsy-American string-rock, clever storytelling, catchy songwriting and humor, beckoning crowds into a barn-dance rock concert experience.
These Celtic rockers will bring their all-ages, high-energy show back to Raleigh’s Lincoln Theatre, 126 E. Cabarrus St. Tickets can be purchased at this link. Doors open at 7:30 p.m.
Chapel Hill singer-songerwriter Jonathan Byrd will take the stage before Scythian. Byrd has been called “a folk singer with the heart of a rock ‘n’ roll band.” Byrd is a preacher’s son, a Gulf War veteran and an award-winning songwriter from Chapel Hill, North Carolina, known for literary, outsider songs that have become campfire favorites. The Chicago Tribune called Byrd “one of the top 50 songwriters of the past 50 years.”
Scythian features tunes with gypsy, Celtic, bluegrass and Americana influences just in time to provide an appropriate warm up for St. Patrick’s Day. The band’s entertaining stage presence, band camaraderie and audience interaction captivates from the first note. Powerful vocals, fiddle, guitar, accordion, upright bass, drums are just a taste of the myriad instruments the quartet brings to its raucous stage causing iHeart Radio to state, “Scythian has reinvented folk rock in America.” And The Washington Post has called Scythian, “Washington D.C.’s most energetic and eclectic band.”
Fresh off the release of their latest single, International Bluegrass Music Association’s award-winning The Barefoot Movement will bring their heartfelt, energetic and down home holiday celebration at 7:30 p.m. on Friday, Dec. 13, to the Cary Arts Center.
Complete with all of your classic seasonal favorites wrapped in a Christmas package, you’ll hear acoustic renditions of everything from Chuck Berry’s “Run Run Rudolph” to Perry Como’s “It’s Beginning to Look A Lot Like Christmas” and emotional takes on the more tender songs of the season like “Oh Holy Night” and “Hark The Herald Angels Sing,” according to a press release.
“Surrounded by stories and Christmas memories from the band, the music and cheer will fill you with an enduring feeling of love and hope that will warm your heart throughout the year!”
Halloween may be over but fans of Americana music are in for a special treat as two talented duos — Violet Bell and Zoe & Cloyd — hit the stage at 7:30 p.m. on Friday, Nov. 8, at the Cary Arts Center.
I first had the pleasure of hearing Violet Bell perform its original Americana tunes woven from threads of folk, soul, bluegrass, psychedelic and classical music at Rooster Walk Music and Arts Festival. On stage and in the studio, the energy and chemistry between Lizzy Ross and Omar Ruiz-Lopez is fiery, intimate and intuitive. Learn more at www.lizzy.net
Zoe & Cloyd, who I first discovered at MerleFest, is made up of renowned fiddler and vocalist Natalya Zoe Weinstein and songwriter, multi-instrumentalist and vocalist John Cloyd Miller. Together, they delight audiences with soaring harmonies and heartfelt songwriting, seamlessly combining original folk, country, old-time and bluegrass with sincerity and zeal.
Zoe and Cloyd recently released their third album, “I Am Your Neighbor,” on Friday, Sept. 27, on Organic Records during the International Bluegrass Music Association (IBMA) annual event in downtown Raleigh.
RALEIGH — One of Grammy award-winning Dobro player Jerry Douglas’ earliest memories is hearing Earl Scruggs play banjo on the radio in his childhood Cleveland home.
“I doubt I would be a musician now if it hadn’t been for that sound,” Douglas told a group gathered at the International Bluegrass Music Association (IBMA) annual conference and music festival in the Raleigh Convention Center on Friday, Sept. 27, for the announcement of the inaugural Earl Scruggs Music Festival set for Sept. 4-5, 2020, at the Tryon International Equestrian Center in Mill Spring, North Carolina.
Douglas continued, “Little did I know that later in life he would be my friend.A s far as I’m concerned this festival named in his honor is far overdue. But I also believe that’s the way Earl would want it to be. We can only hope that we can make him proud in how we perceive his legacy to the world.”
Douglas, who started his group the Earls of Leicester as a tribute to Scruggs, will act as musician in resident for the festival.
Scruggs, who has deep ties to North Carolina, popularized a three-finger banjo picking style that became a defining characteristic of bluegrass music.
The two-day event that will feature music from bluegrass, folk, blues, roots and Americana styles to celebrate Scruggs is a collaboration between the Earl Scruggs Center located in Shelby and WNCW radio station located on the campus of Isothermal Community College. The festival will benefit both the radio station and the college.
In addition to Douglas, the initial lineup includes Marty Stuart, Alison Brown, Dom Flemons, Radney Foster, Darin & Brooke Aldridge, The Po’ Ramblin’ Boys, The Barefoot Movement and Unspoken Tradition. Both Foster and Unspoken Tradition performed as part of the announcement that was made by festival director Steve Johnson, formerly of MerleFest.
Few other artists in American history have had such an impact as Scruggs, according to a festival press release. His work in 1946/47 with Bill Monroe & the Blue Grass Boys and later with Flatt and Scruggs helped create an entire genre of music. His banjo playing was so fresh and different for the time that it was christened the “Scruggs style” of banjo and is still the most prominent banjo performance style in the world.
“Earl was my uncle, so I knew him a long time,” says JT Scruggs, a board member of the Earl Scruggs Center. “The first Earl Scruggs Music Festival presents an opportunity to bring exposure and new visitors to the Earl Scruggs Center in Shelby, North Carolina. The proceeds from the festival will also help to keep the center in good financial shape. The festival will bring great music and many different groups to the region. And I hope that people will hear things about Earl that they may have never heard before as all the artists share their personal stories. I know that Earl would be proud of what we are doing and that we are remembering him through the festival.”
Noah Wall of The Barefoot Movement grew up in North Carolina.
“I feel so lucky to have that in common with legends like Earl Scruggs,” he said. “He was such a trailblazer, not just a pioneer of bluegrass, but he also pushed the boundaries of traditional music. I don’t think he set out to be different for the sake of standing out, I think he did it for sake of the music itself. He just sought after good music, music that moved him, and that is so inspiring to me.”
In October, two new acts — Acoustic Syndicate and Blue Highway– were announced. More artists, both national and North Carolina-based, will be added over the coming months. The festival will feature more than 20 artists and three stages in a beautiful setting at the foot of the Blue Ridge Mountains, according to organizers. Camping, lodging, restaurants and other amenities will be available onsite.
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