If you are looking for predictions on the best Rap, Reggae or Jazz performances, you’ve come to the wrong place. But if you are interested in who I think will win versus who should win in categories including best Americana, Country and Bluegrass, you’re in the right place. My winner predictions are in bold while who should win has an asterisk in front of the nominee. Who do you think should win? I would love to hear your picks.
The toughest category in the list below for me was Best Bluegrass Album. While everyone in this category deserves a “W,” Billy Strings will continue to ride his current wave of popularity to earn this well-deserved Grammy despite the fact that I believe Molly Tuttle and her band put out a better album. Best Country Solo Performance category is another tough one with Dolly Parton going head to head with Luke Combs haunting version of “Fast Car,” but I think Brandy Clark should win this category. My money, if I was in Vegas, however, is on Chris Stapleton for obvious reasons. The same goes for Best Country Duo/Group Performance. While I think Dierks Bentley and Billy Strings “High Note” should win, I think Carly Pierce and Stapleton will edge out the crazy popular Jelly Roll and Lainey Wilson.
Best Country Solo Performance
*Brandy Clark – Buried Chris Stapleton – White Horse Dolly Parton – The Last Thing on My Mind Luke Combs – Fast Car Tyler Childers – In Your Love
Best Country Duo/Group Performance
Brothers Osborne – Nobody’s Nobody Carly Pearce Featuring Chris Stapleton – We Don’t Fight Anymore *Dierks Bentley featuring Billy Strings – High Note Jelly Roll With Lainey Wilson – Save Me Vince Gill & Paul Franklin – Kissing Your Picture (Is So Cold) Zach Bryan Featuring Kacey Musgraves – I Remember Everything
Best Country Song
*Brandy Clark – Buried Chris Stapleton – White Horse Morgan Wallen – Last Night Tyler Childers – In Your Love Zach Bryan Featuring Kacey Musgraves – I Remember Everything
Best Country Album
Brothers Osborne – Brothers Osborne Kelsea Ballerini – Rolling Up the Welcome Mat *Lainey Wilson – Bell Bottom Country Tyler Childers – Rustin’ in the Rain Zach Bryan – Zach Bryan
Best American Roots Performance
Allison Russell – Eve Was Black Blind Boys of Alabama – Heaven Help Us All Jon Batiste – Butterfly Madison Cunningham – Inventing the Wheel *Rhiannon Giddens – You Louisiana Man
Best Americana Performance
Allison Russell – The Returner Blind Boys of Alabama – Friendship *Brandy Clark Featuring Brandi Carlile – Dear Insecurity Jason Isbell and the 400 Unit – King of Oklahoma Tyler Childers – Help Me Make It Through the Night
Best American Roots Song
Allison Russell – The Returner *Billy Strings Featuring Willie Nelson – California Sober Brandy Clark Featuring Brandi Carlile – Dear Insecurity Jason Isbell and the 400 Unit – Cast Iron Skillet The War and Treaty – Blank Page
Best Americana Album
Allison Russell – The Returner Brandy Clark – Brandy Clark Jason Isbell and the 400 Unit – Weathervanes Rodney Crowell – The Chicago Sessions *Rhiannon Giddens – You’re the One
Best Bluegrass Album
Billy Strings – Me/And/Dad Michael Cleveland – Lovin’ of the Game Mighty Poplar – Mighty Poplar *Molly Tuttle & Golden Highway – City of Gold Sam Bush – Radio John: Songs of John Hartford Willie Nelson – Bluegrass
Best Folk Album
Dom Flemons – Traveling Wildfire Joni Mitchell – Joni Mitchell at Newport (Live) The Milk Carton Kids – I Only See the Moon Nickel Creek – Celebrants *Old Crow Medicine Show – Jubilee Paul Simon – Psalms Rufus Wainwright – Folkocracy
MerleFest, presented by Window World, has announced the initial lineup for its 36th annual event, taking place April 25-28, 2024, on the campus of Wilkes Community College. Leading the breadth of can’t-miss performances this year are Grammy-winning rogue-folk ensemble Old Crow Medicine Show (celebrating both their 25th anniversary and nearly 25 years since their MerleFest debut in 2000), Red Dirt stalwarts Turnpike Troubadours, decorated blues-rock duo The Teskey Brothers, and recently reunited bluegrass sensation Nickel Creek. MerleFest favorites Steep Canyon Rangers, Sam Bush, Jerry Douglas, The Earls of Leicester, and more are also set to appear. View the initial lineup below. Additional artists to be announced in the coming weeks.
MerleFest 2024 tickets are available now. For general admission passes, as well as patio seating, reserved seating, camping, parking, and more, please visit merlefest.org/purchase.
MerleFest 2024 will welcome Old Crow Medicine Show, Turnpike Troubadours, The Teskey Brothers, Nickel Creek, Steep Canyon Rangers, Sam Bush, Jerry Douglas, The Earls of Leicester, Shinyribs, Peter Rowan, Scythian, Donna the Buffalo, Jim Lauderdale, Kruger Brothers, Darin & Brooke Aldridge, Chatham County Line, Chatham Rabbits, John McEuen, Willi Carlisle, Adeem the Artist, The Sensational Barnes Brothers, The Waybacks, Alexa Rose, Andy May, Ashes & Arrows, B. Townes, Banknotes, Buffalo Nichols, Carol Rifkin, Charles Welch, Flattop, Goldpine, Gravity Check Juggling, The InterACTive Theater of Jef, Jack Lawrence, Jake Kohn, Jeff Little Trio, JigJam, Joe Smothers, Josh Goforth, Kyshona, Laura Boosinger, The Local Boys, Mark Bumgarner, Mitch Greenhill & Mitch’s Kitchen, Nefesh Mountain, Palmyra, Pete & Joan Wernick, Presley Barker, Roy Book Binder, The Silent Comedy, T. Michael Coleman, Them Coulee Boys, Tony Williamson, Uwade, and Wayne Henderson. For artist performance dates, visit merlefest.org/lineup.
MerleFest Volunteer applications are now open. As a volunteer, participants will receive free entry to the festival for the entire day of their shift, free parking, and shuttle, and 10% off camping at River’s Edge Campground. Most importantly, volunteers will be supporting a major fundraiser for Wilkes Community College. Please visit merlefest.org/volunteer to sign up before the April 13th deadline.
Applications to be a MerleFest vendor are also open. Vendors are carefully selected to provide a variety of quality and unique goods for every MerleFest fan. Included in the vendor fee is the cost of your tent, tent setup, fire extinguisher, gutters, table, chairs, lightbulb for nighttime illumination, on-campus security, as well as general admission passes for the entire festival and one on-campus parking pass. Simply put, it’s a great deal! Please visit merlefest.org/vendors to apply now before the application window closes on January 15th.
Ketch Secor and Molly Tuttle to host this year’s show on September 28
From the good folks at the International Bluegrass Music Association: Ketch Secor and Molly Tuttle have been announced as hosts for the 34th Annual IBMA Bluegrass Music Awards Show, presented by Yamaha, on Thursday, Sept. 28 during the 2023 IBMA World of Bluegrass®.
Secor is the consummate entertainer: the merry ringmaster, mischievous busker, passionate professor, modern Beat, and unassuming virtuoso, all rolled into one. Ketch is best known as the founder and frontman of Old Crow Medicine Show, a two-time GRAMMY Award-winning juggernaut whose triumphs include induction into the Grand Ole Opry and double-platinum certification for their iconic hit single “Wagon Wheel.” The scope and potency of Ketch’s work has long since spilled over to include documentaries, writing and starring in variety shows, authoring a children’s book, composing a musical, and launching a school. His myriad projects also include serving as an advisor, historical consultant, and featured speaker in Ken Burns’ acclaimed 2019 documentary Country Music. “Whether I’m in front of an audience of concert-goers or a six-year-old, whether I’m using puppets or a banjo, I’m always trying to show people that they can be mesmerized by a story, by a person, by a character,” says Ketch. “By humanity, really. By one another.”
Jubilee, releasing August 25 via ATO Records, is a companion album to Old Crow Medicine Show’s critically-acclaimed 2022 release Paint This Town and marks the band’s 25-year anniversary. The album was co-produced with Matt Ross-Spang, and features several special guests including legendary soul singer Mavis Staples, singer/songwriter Sierra Ferrell, and Old Crow co-founder Willie Watson, who records with the band for the first time in over 10 years on their recent single “Miles Away.”
Since moving to Nashville in 2015, Tuttle has continued to receive widespread accolades, most recently earning seven 2023 IBMA Bluegrass Music Awards nominations: Entertainer of the Year, Female Vocalist of the Year, Guitar Player of the Year, Album of the Year (Crooked Tree), Song of the Year (“Crooked Tree”), Instrumental Group of the Year and Collaborative Recording of the Year (“From My Mountain [Calling You]” with Peter Rowan and Lindsay Lou). Additionally, Tuttle also won Best Bluegrass Album at the 65th Annual GRAMMY Awards earlier this year (Crooked Tree), Album of the Year at the 2023 International Folk Music Awards, IBMA Female Vocalist of the Year in 2022, Instrumentalist of the Year at the 2018 Americana Music Awards, and IBMA Guitar Player of the Year in both 2017 and 2018.
Tuttle’s new album, City of Gold, was released last month on Nonesuch Records to critical praise. Once again produced by Tuttle and Jerry Douglas, City of Gold was inspired by Tuttle’s constant touring with Golden Highway these past few years and follows her 2022 release of Crooked Tree.
“I’m thrilled Ketch and Molly will host this year’s Awards Show,” said Paul Schiminger, Interim Executive Director of IBMA. “They are sure to make the ‘Biggest Night in Bluegrass’ a memorable and entertaining night for everyone gathered to celebrate a terrific year in bluegrass music!”
The Steel Wheels will present the 10th annual Red Wing Roots Music Festival at the beautiful Natural Chimneys Park and Campground in Mt. Solon, Virginia, in the heart of the Shenandoah Valley. The towering limestone chimneys provide a spectacular backdrop for you to lounge in the Music Meadow listening to great music in the great outdoors.
For three days, the campground is transformed into five stages hosting more than 50 musical acts including Old Crow Medicine Show, Robert Randolph Band, Watchhouse, Sierra Ferrell, Madison Cunningham, The Suffers, Marc Broussard, Festival Hosts – The Steel Wheels, The Lil Smokies, John Craigie, SCYTHIAN, Larry Keel Experience, Peter One, Andrew Marlin, Melissa Carper, AJ Lee & Blue Summit, Miko Marks, Miss Tess, Goodnight, Texas, Michaela Anne, John Reischman & The Jaybirds, Alisa Amador, Caleb Klauder & Reeb Willms Country band, The Arcadian Wild, Damn Tall Buildings, Hubby Jenkins, Sam Burchfield & The Scoundrels, Tray Wellington, The Honey Dewdrops, Maya de Vitry, The Revelers, The Slocan Ramblers, Two Runner, The Foreign Landers, Chamomile & Whiskey, The Hypochondriacs, Willie Stratton, The Faux Paws, The Judy Chops, Palmyra, Ragged Mountain String Band, The Wilson Springs Hotel, The Fly Birds, Charlie & The 45s, Danny Knicely with Chao Tian, The Currys, Who Shot John, Song Kitchen, Corrie Lynn Green, Amy Martin, Graham Stone and Rebecca Porter.
In addition there will be myriad food vendors and chances to run, bike and hike on site.
For tickets, volunteer opportunities and more information, visit redwingroots.com
The 2023 North Carolina Azalea Festival at 7 p.m. on Thursday, April 13, at Live Oak Bank Pavilion features Carly Pearce with openers Conner Smith and Jonathan Hutcherson!
And at 7 p.m. on Friday, April 14, at Live Oak Bank Pavilion features Old Crow Medicine Show and Jamestown Revival!
Ketch Secor (fiddle, harmonica, guitar, banjo, vocals) – Morgan Jahnig (upright bass) – Cory Younts (mandolin, keyboards, drums, vocals) – Jerry Pentecost (drums, mandolin) – Mike Harris (slide guitar, guitar, mandolin, banjo, dobro, vocals) Mason Via (guitar, gitjo, vocals)
On their whirlwind new album Paint This Town, Old Crow Medicine Show offer up a riveting glimpse into American mythology and the wildly colorful characters who populate it. The most incisive body of work yet from the Nashville-based roots band—a two-time Grammy Award-winning juggernaut whose triumphs include induction into the Grand Ole Opry and double-platinum certification for their iconic hit single “Wagon Wheel”—the album pays homage to everyone from Elvis Presley to Eudora Welty while shedding a bright light on the darker aspects of the country’s legacy. Fueled by Old Crow’s freewheeling collision of Americana, old-time music, folk, and rock & roll, Paint This Town relentlessly pulls off the rare and essential feat of turning razor-sharp commentary into the kind of songs that inspire rapturous singing along.
In a major milestone for Old Crow, Paint This Town marks the first album created in their own Hartland Studio: an East Nashville spot the band acquired in early 2020 then transformed into a clubhouse-like space custom-built to suit their distinct sensibilities. “Over the years we’ve spent a lot of time and money in professional studios, but this was the first time we’d worked in our own place since back in the late ’90s, when we’d hang a microphone from the rafters and record a cassette on our TASCAM 4-track,” says frontman Ketch Secor. Co-produced by the band and Matt Ross-Spang (a producer/engineer/mixer who’s worked with the likes of John Prine and Jason Isbell), Paint This Town also took shape from a far more insular process than their past work with such producers as Don Was and Dave Cobb (who helmed Old Crow’s most recent effort, 2018’s widely acclaimed Volunteer). Not only instrumental in allowing the band a whole new level of creative freedom, that self-contained approach helped to revive a certain spirit of pure abandon. “Doing it ourselves was a lot more fun with a lot less stress or pressure, and because of that we were way less precious about it,” says Secor. “It all just felt less like a chore and more like a complete joy.”
The seventh studio album from Old Crow, Paint This Town opens on its title track: a raucously swinging anthem that fully embodies that joyful energy. With its fable-like account of the band’s carefree troublemaking over the last two decades, the track showcases Secor’s uncanny knack for packing so much detailed storytelling into a single line (e.g., “We were teenage troubadours hopping on box cars for a hell of a one-way ride”). “Our band has always drawn its inspiration from those elemental American places, where water towers profess town names, where the Waffle House and the gas station are the only spots to gather,” says Secor. “This is the scenery for folk music in the 21st century, and the John Henrys and Casey Joneses of today are the youth who rise up out of these aged burgs undeterred, undefeated, and still kicking.”
Although much of Paint This Town looks outward to examine the American experiment, Old Crow never shy away from the intensely personal. Written soon after the demise of Secor’s marriage, “Bombs Away” puts a devil-may-care twist on the classic divorce song, while the gently galloping “Reasons to Run” invokes the Lone Ranger in confessing to the emotional toll of too much time on the road. And on tracks like “Used to Be a Mountain,” Old Crow turn their lived experience into a lens for illuminating larger-scale problems affecting the modern world. “I spent about 25 years of my life very close to the region of Appalachia where strip-mining occurs, which is really dangerous work and destructive for all living things,” says Secor of the song’s origins. Partly informed by his memories of hitchhiking around coal country as a teenager, “Used to Be a Mountain” emerges as a galvanizing meditation on environmental catastrophe, boldly propelled by Secor’s frenetic vocal flow and firebrand poetry (“From the fat cats, race rats, big Pharma, tall stacks/They’re the ones digging the hole/All the way down to Guangzhou”).
In one of the album’s most potent segments, Paint This Town delivers a trio of songs that delve into matters of race and hate and systems of power, embedding each track with Old Crow’s vision for a more harmonious future. On “DeFord Rides Again,” for instance, the band serves up a gloriously stomping tribute to legendary harmonica player DeFord Bailey (the first Black star of the Grand Ole Opry, who was eventually banned from the show and left in exile). “One of the things that inspired that song was the experiences we’ve had traveling all over the world and seeing the people who take country music into their hearts,” says Old Crow upright bassist Morgan Jahnig. “It’s the entire spectrum of humanity—but when you look at the people making country music, it tends to be pretty monochromatic. If we really want to push music forward, we need to let all kinds of people have a voice.” Featuring Mississippi-bred musician Shardé Thomas on fife (a piccolo-like instrument often used in military bands), the soul-stirring “New Mississippi Flag” dreams up an insignia that truly honors the state’s rich cultural heritage (“She’ll have a stripe for Robert Johnson/And one for Charlie Pride”). “We’re living in a time in which there’s a great undoing of the mythologies that were created in order for the South to alter its view of itself, and with that undoing comes a repurposing,” Secor points out. Meanwhile, “John Brown’s Dream” unfolds as a swampy and smoldering portrait of the notorious radical abolitionist and his brutally violent attempt at rebellion.
Throughout Paint This Town, Old Crow bring their spirited reflection to an endlessly eclectic sound, spiking their songs with elements of everything from gospel (on “Gloryland,” a heavy-hearted lament for our failure to care for each other) to Southern highlands balladry (on “Honey Chile,” a melancholy love song graced with soaring harmonies and swooning fiddle melodies). That deliberate unpredictability has defined Old Crow since their earliest days, when they got their start busking on the streets with pawnshop-bought instruments. Through the years, they’ve continually breathed new life into their sound by inviting new musicians into the fold; to that end, Paint This Town marks the first album to include Jerry Pentecost (drums, mandolin), Mike Harris (slide guitar, guitar, mandolin, banjo, dobro, vocals), and Mason Via (guitar, gitjo, vocals). “We were auditioning new members during the process of putting the studio together—so if you signed up to be in this band, you got handed a paint roller and a list of songs to learn,” says Secor. As they got Hartland Studio up and running, Old Crow also launched the Hartland Hootenanny: an hour-long variety show livestreamed every Saturday night during lockdown, with guest appearances from the likes of Amythyst Kiah, Billy Strings, Marty Stuart, and The War and Treaty. “The Hartland Hootenanny kept us joyous during what could’ve been a very bleak time,” Secor says. “It helped us process the experience of Covid and George Floyd’s death and all the urgent cries for change, but at the same time we talked about full moons and football and summer camp—which in a way symbolizes everything we are as a band.”
Indeed, Old Crow ultimately consider that mingling of the joyous and the profound to be the very life force of their collective. “At the end of the day, we’re still just trying to stop you on the street and get you to put a dollar in the guitar case,” says Jahnig. “Then once we’ve got your attention, we’re gonna tell you about things like the opioid epidemic and the Confederate flag and what’s happening with the environment—but we’re gonna do it with a song and dance. We feel a great obligation to talk about the more difficult things happening out there in the world, but we also feel obligated to make sure everyone’s having a great time while we do it.”
Old Crow Medicine Show’s album “Paint This Town” is available via ATO Records. Order your copy here.
WITH…
Jamestown Revival is an internationally recognized Americana/Roots Rock band from Austin, TX who affectionately describe their music as “Southern & Garfunkel.”
Jamestown Revival’s newest album, Young Man, is the band’s first album without electric guitars and their first to be recorded in a studio. With themes like coming of age and settling into an identity, Young Man was produced by Robert Ellis and Josh Block (Leon Bridges, Caamp).
The band has performed at iconic music festivals, such as Farm Aid, Coachella, Stagecoach, Lollapalooza, Willie Nelson’s 4th of July Picnic and Austin City Limits, have been featured in publications ranging from Rolling Stone to the Wall Street Journal, and performed and toured with the likes of the Zac Brown Band, Nathaniel Rateliff, Ryan Bingham and Willie Nelson.
Jamestown Revival has released three critically acclaimed albums (Utah, The Education Of A Wandering Man and San Isabel) and two equally praised EPs (Field Guide To Loneliness, an intimate collection of songs reflecting recent times whereby human contact is limited more than ever, and Fireside With Louis L’Amour, featuring songs inspired by stories from author Louis L’Amour’s The Collected Short Stories of Louis L’Amour, Volume 1: Frontier Stories.
Learn more at www.jamestownrevival.com and follow on Instagram and Facebook @jamestownrevival and Twitter @JTRevival.
ABOUT CARLY PEARCE: Fiercely rooted in the classics, the girl who left her Kentucky home and high school at 16 to take a job at Dollywood has grown into a woman who embraces the genre’s forward progression. Confident in what she wants to say, the committed songwriter has resonated with fans and caught the attention of music critics from Billboard, NPR, Rolling Stone, The New York Times touting 29: WRITTEN IN STONE (Big Machine Records) on their 2021 year-end Best of Lists. Lighting a fire with her debut album EVERY LITTLE THING and the PLATINUM-certified history making title track, Carly’s 2X PLATINUM-certified “I Hope You’re Happy Now” with Lee Brice won both the 2020 CMA Awards Musical Event and 2021 ACM Awards Music Event, plus ACM Single of the Year. She picked up her second consecutive ACM Music Event of the Year in 2022 with Ashley McBryde duet “Never Wanted To Be That Girl,” Carly’s third No. 1 and the third duet between two solo women to top Country Airplay, dating to the Billboard chart’s January 1990 inception. The song also took home 2022 CMA Musical Event of the Year and is currently up for a GRAMMY Award in the Best Country Duo/Group Performance category, marking Pearce’s first-ever nomination. Knowing it’s time to move on, she offers final reckoning of a relationship that failed and a new set of standards for the next time she falls in love with the 29 project’s final single “What He Didn’t Do,” co-written alongside Ashley Gorley and Emily Shackleton. Following the Grand Ole Opry and Kentucky Music Hall of Fame member’s sold-out THE 29 TOUR and spending the summer touring with Kenny Chesney, Pearce joins Blake Shelton’s BACK TO THE HONKY TONK TOUR in 2023. Honored as one of CMT’s 2022 Artists of The Year, the 2021 CMA Female Vocalist of the Year and reigning ACM Female Artist of the Year is clearly living out her childhood dream. For tour dates and more, visit CarlyPearce.com.
Tickets on sale, Friday, Dec. 9 at 10am.
WITH…
CONNER SMITH was born to write songs. His mother interviewed songwriters as part of her work when he was a small child; he remembers being in her office, transfixed, listening to the tapes of the people most music lovers never saw telling the stories of where the songs came from. By the time he was 6, he was writing his own. By the time he was 9, he’d signed to BMI as a writer.
Being so immersed in songs and where they came from, the 21-year-old Nashville native is the rarest of all things: a songwriter from the inside out. You can feel it in the wanting so much more than the surface in “Tennessee,” the way “Take It Slow” captures the innocence of young love, and you can hear it in the old school lyric twist in “Learn From It,” which just made its debut at Country Radio. As Smith just released his latest “Why I Can’t Leave”, fans are also quickly discovering “I Hate Alabama.” Smith first released the song on his social media channels and the overwhelming response prompted him to immediately release the full song on all platforms… right before Alabama suffered a loss that ended their long-running winning streak. The Tennessean called it a “…love song and perfect game day tune all wrapped in a catchy country melody” while Barstool Sports mused “Am I saying the Crimson Tide suffered their first loss since 2019 because of this objectively awesome song? I don’t know. I generally don’t believe in coincidences.”
While working with Ashley Gorley and Zach Crowell as a Junior and Senior in high school, the pair encouraged him to still “finish school.” So, Smith spent his teenage years leading a double life: Student in the morning, working songwriter from noon on. His dream turned into real life – with sweeping country songs that show the maturity and insight of an old soul discovered early, then given the time, tools and opportunity to master their craft as a seasoned writer and not just one more kid shuffling from writing appointment to writing appointment. Recently opening up for Sam Hunt and Thomas Rhett on select dates it was just announced he will join Ryan Hurd on tour in 2022. He has previously performed alongside some of the genre’s other top acts including Kane Brown, and Kip Moore. For more information and dates visit ConnerSmithMusic.com.
AND…
Hailing from Wilmore, KY, country, bluegrass and gospel music influences, along with a strong love and appreciation for family have helped form the artist and songwriter that Jonathan Hutcherson is today. He brought those influences to Nashville in 2018 and quickly started impressing songwriters and publishers on Music Row with his falsetto vocals, heartfelt lyrics and catchy melodies. Hutcherson released a self-titled EP in 2021 that has garnered millions of streams and followed that up with the release of “Blue Collar” in the Fall of 2022 and a 2023 Winter release of “Makes A Man”. Inspiration for both songs pulled from the honest, hardworking and hard loving people he’s always surrounded himself with.
Look for Jonathan out on the road all over the country in 2023.
You may recognize Ketch Secor as the frontman and founding member of Grand Ole Opry and festival-favorite Old Crow Medicine Show. But did you know that the Grammy-award winner is also an author?
There are numerous live music festivals and venues throughout North Carolina, Virginia and beyond on tap to help you celebrate the official kickoff of summer over the upcoming Memorial Day holiday weekend. Following are a few highlights. If I’ve missed one, let me know! Continue reading →
FloydFest 18~Wild is celebrating its 18th anniversary July 25-29, 2018, near Floyd, Virginia, and it’s offering one of the best music roots festival lineups and experiences in the South. But don’t just take my word for it. Blue Ridge Outdoors Magazine readers voted FloydFest “Best Festival” and “Best Kid-Friendly Outdoor Destination” in the 2018 Best of the Blue Ridge Competition.
“We are beyond honored, and it fuels our fervor to create the best FloydFest EVER,” festival organizers said in an email.
This year’s amazing lineup includes Foster The People, Jason Isbell and the 400 Unit, Old Crow Medicine Show, Hiss Golden Messenger, ZZ Ward, Greta Van Fleet, The Infamous Stringdusters, Lukas Nelson & Promise of the Real, Antibalas, Langhorne Slim, Nikki Lane, The Steel Wheels, Son Little, The Lil Smokies, Horseshoes & Hand Grenades, No BS! Brass Band, Devon Gilfillian, Lindsay Lou,Fireside Collective, Govt Mule, Tyler Childers, Leftover Salmon and 2017 FloydFest On-the-Rise Competition winner, South Hill Banks, and runner-up, Dharma Bombs. Learn more here: http://floydfest.com/lineup/
Tickets are available now at www.floydfest.com for five days of music, magic and mountains, featuring outdoor adventure, vibrant and varied vendors, quality brews and chews, healing arts, workshops and whimsy, children’s activities and a lineup featuring more than 100 artists on eight-plus stages.Continue reading →
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