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Tag Archives: Molly Tuttle


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MerleFest 2024 attracts more diverse acts and ends on a high note

Photo courtesy of MerleFest and Billy Potter

After last year’s affectionately dubbed “MudFest,” MerleFest 2024 was blessed with only a few sprinkles and mostly sunny skies. That may be in large part to the new concrete slab that now graces the area in front of the Watson Stage that for decades has turned into a mud pit when the inevitable showers fell on fans and musicians alike.

But that wasn’t the only thing new at this year’s festival. The most diverse lineup the festival has ever seen graced the 12 stages throughout the four-day event, which remains inspired by the vision of festival founder and North Carolina native Doc Watson. As a result of that diversity, the most diverse crowd was also drawn to the campus of Wilkes Community College in Wilkesboro, North Carolina, over April 25-28.

“MerleFest 2024 was a testament to the enduring spirit of community and music,” explained Wes Whiston, festival director, in a press release. “The unwavering support from our artists, fans, staff, volunteers and sponsors not only creates unforgettable moments but also fuels the educational mission of Wilkes Community College. The beautiful weather this weekend served as a perfect backdrop to the magic unfolding on stage, adding an extra layer of joy to our festivities. We were thrilled to see an overwhelming turnout on Thursday evening, a resounding affirmation that MerleFest continues to grow stronger with each passing year.”

That Thursday turnout was the direct result of one of the most stellar one-day lineups in the festival’s history, which included local breakout star Presley Barker, Dan Tyminski, Steep Canyon Rangers, Molly Tuttle & Golden Highway and wrapping up with Old Crow Medicine Show, who rang in their seventh appearance at MerleFest with choice cuts from their expansive catalog, as well as some surprising covers including Beyoncé’s “Texas Hold ‘Em.” The Friday night headliners also commemorated 25 years of touring as well as the 25th anniversary of their MerleFest debut with cameos by Tuttle, Willie Watson and other MerleFest regulars. With even more to celebrate, the band presented a birthday cake and sang to MerleFest’s own “B” Townes before inviting the ever-present Arthur Grimes to the stage for an old-fashioned Appalachian flatfoot dance off. 

Friday’s Watson Stage performances kicked off with MerleFest’s house band Celtic rockers Scythian, who are celebrating 20 years as a band. Kyshona made her MerleFest debut with her soulful sound along with other first-timers Nick Shoulders, Buffalo Nichols, Uwade and Willi Carlisle. Later, The Langan Band brought their Scottish sensibilities to the Traditional Stage, just before blue-rock sister group Larkin Poe fired up the Watson Stage and Red Dirt legends Turnpike Troubadours closed out the night. Night-owls were treated to a spectacle of hip-shaking singalongs by New Orleans-influenced Shinyribs.

Saturday saw too many memorable moments to count but included the annual Veterans Jam, featuring Jack Lawrence, Joe Smothers, Sam Bush, Jerry Douglas, Peter Rowan, John Cowan, and T. Michael Coleman and The Waybacks’ legendary Hillside Album Hour, which treated fans to a front-to-back performance of Stevie Wonder’s iconic 1973 masterpiece, “Innervisions,” along with tributes to Jimmy Buffett, Sinead O’Connor and Gordon Lightfoot among others.

MerleFest’s annual band competition entertained crowds on the Plaza before naming Florencia & The Feeling as this year’s winner. And over in the Walker Center, 14-year old prodigy Wyatt Ellis led a special jam featuring guests Jim Lauderdale, Peter Rowan, Jack Lawrence, John Cowan and The Kruger Brothers, before joining mandolin virtuosos Sam Bush, Liam Purcell, and Chris Henry on the Creekside Stage for Mando Mania. Back on the Watson Stage, Béla Fleck performed an inspiring set of instrumental arrangements and selections from his 2021 album, “My Bluegrass Heart,” followed by powerhouses S.G. Goodman, Sam Bush Band and country crooner Brandy Clark, who also graced the Hillside Stage earlier in the day with an inspirational set. The Teskey Brothers topped off the evening with their Aussie-tinged brand of blues rock.

Sunday offered something for every musical taste from gospel to he highly-anticipated return of Nickel Creek, who rounded out the weekend with a 90-minute string jam of seismic proportions. Chris Thile said it had been nearly 20 years since the trio had performed at MerleFest and their delight at being back was obvious.

The Sensational Barnes Brothers hosted a powerful Gospel Hour on the Creekside Stage; Roy Book Binder, along with Charles Welch, The Harris Brothers, and Bob Margolin led a Sunday Blues session on the Americana Stage. The Traditional Stage saw lots of activity too, with a traditional jam hosted by Pete & Joan Wernick, ‘Shaped Note Singing’ with Laura Boosinger, ‘Women Who Sing & Play’ with Carol Rifkin, Bayla Davis, Liz Lanham and others, and finally, Wayne Henderson & Friends closing out the afternoon. Finally, GRAMMY-winning country-rock outfit Lukas Nelson & POTR rocked the Watson Stage before turning the mic over to Raleigh-based New Dangerfield on the Cabin Stage and then Nickel Creek.

MerleFest, presented by Window World, concluded its annual spring homecoming this weekend with a larger-than-life “Traditional Plus” celebration, drawing both seasoned attendees and newcomers. The event is the biggest economic driver of scholarships, capital projects and educational needs within the greater Wilkesboro community. Since its inaugural event in 1988, MerleFest has continued to demonstrate a commitment to supporting the residents of Wilkes County, while showcasing outstanding talent from its home state and beyond. This year’s festival was no different, with nearly 100 acts spanning diverse styles and genres performing across 12 stages from Thursday through Sunday.

As the tents come down on another incredible festival weekend, all sights are set on MerleFest’s return to WCC on April 24-27, 2025, with ticket and lineup news forthcoming. Learn more at www.merlefest.org.


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Hosts announced for 34th annual IBMA Bluegrass Music Awards on Sept. 28

Ketch Secor and Molly Tuttle to host this year’s show on September 28

From the good folks at the International Bluegrass Music Association: Ketch Secor and Molly Tuttle have been announced as hosts for the 34th Annual IBMA Bluegrass Music Awards Show, presented by Yamaha, on Thursday, Sept. 28 during the 2023 IBMA World of Bluegrass®.

Secor is the consummate entertainer: the merry ringmaster, mischievous busker, passionate professor, modern Beat, and unassuming virtuoso, all rolled into one. Ketch is best known as the founder and frontman of Old Crow Medicine Show, a two-time GRAMMY Award-winning juggernaut whose triumphs include induction into the Grand Ole Opry and double-platinum certification for their iconic hit single “Wagon Wheel.” The scope and potency of Ketch’s work has long since spilled over to include documentaries, writing and starring in variety shows, authoring a children’s book, composing a musical, and launching a school. His myriad projects also include serving as an advisor, historical consultant, and featured speaker in Ken Burns’ acclaimed 2019 documentary Country Music. “Whether I’m in front of an audience of concert-goers or a six-year-old, whether I’m using puppets or a banjo, I’m always trying to show people that they can be mesmerized by a story, by a person, by a character,” says Ketch. “By humanity, really. By one another.”

Jubilee, releasing August 25 via ATO Records, is a companion album to Old Crow Medicine Show’s critically-acclaimed 2022 release Paint This Town and marks the band’s 25-year anniversary. The album was co-produced with Matt Ross-Spang, and features several special guests including legendary soul singer Mavis Staples, singer/songwriter Sierra Ferrell, and Old Crow co-founder Willie Watson, who records with the band for the first time in over 10 years on their recent single “Miles Away.”

Since moving to Nashville in 2015, Tuttle has continued to receive widespread accolades, most recently earning seven 2023 IBMA Bluegrass Music Awards nominations: Entertainer of the Year, Female Vocalist of the Year, Guitar Player of the Year, Album of the Year (Crooked Tree), Song of the Year (“Crooked Tree”), Instrumental Group of the Year and Collaborative Recording of the Year (“From My Mountain [Calling You]” with Peter Rowan and Lindsay Lou). Additionally, Tuttle also won Best Bluegrass Album at the 65th Annual GRAMMY Awards earlier this year (Crooked Tree), Album of the Year at the 2023 International Folk Music Awards, IBMA Female Vocalist of the Year in 2022, Instrumentalist of the Year at the 2018 Americana Music Awards, and IBMA Guitar Player of the Year in both 2017 and 2018.

Tuttle’s new album, City of Gold, was released last month on Nonesuch Records to critical praise. Once again produced by Tuttle and Jerry Douglas, City of Gold was inspired by Tuttle’s constant touring with Golden Highway these past few years and follows her 2022 release of Crooked Tree.

“I’m thrilled Ketch and Molly will host this year’s Awards Show,” said Paul Schiminger, Interim Executive Director of IBMA. “They are sure to make the ‘Biggest Night in Bluegrass’ a memorable and entertaining night for everyone gathered to celebrate a terrific year in bluegrass music!”

Tickets available at worldofbluegrass.org


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IBMA moves indoors for second time in 10 years in anticipation of Hurricane Ian

In 2015, bands of rain from Hurricane Joachin came down on Raleigh, soaking artists, vendors and attendees of bluegrass music’s biggest week and leaving organizers scrambling to move the International Bluegrass Music Association’s IBMA Bluegrass Live! festivities indoors to the relative comfort of the city’s convention center.

Fast forward seven years and IBMA’s organizers announced today all of the outdoor festivities associated with this week’s IBMA Bluegrass Live! will move indoors, due to expected rain and wind from Hurricane Ian as it approaches the western shores of Florida.

“The music will go on,” said IBMA Executive Director Pat Morris at this afternoon’s IBMA welcome reception celebrating the festival’s 10th year in North Carolina’s capital city. “We have a fantastic week lined up.”

This year, however, will be different than 2015, when the ticketed festival and the free street events were all suddenly forced into the confines of the convention center. What won’t change is several days of bluegrass tunes ringing throughout the facility — some planned in ballrooms and convention rooms, others spontaneously erupting into  jam sessions filling up the facility’s not-so-hidden corners and even in hallways and on staircases.

One major difference will be the ticketed Main Stage performances, originally planned for the outdoor Red Hat Amphitheater adjacent to the convention center, will take the stage in the Raleigh Memorial Auditorium at the Duke Energy Center for the Performing Arts. Reserved seating bought in advance will be honored. Unfortunately, fans hoping for a free general admission ticket to see headliners such as the Infamous Stringdusters, Jerry Douglas and Molly Tuttle and Golden Highway may be out of luck. Organizers are still working out details to try to make some free seating available.

On a positive note, there is still a lot of free entertainment to take in. All previously scheduled performances at the five free Street Stages are moving into the Raleigh Convention Center  along with all 115 vendors including the Art Market, Shop Local and Black Friday Market. Also on tap indoors will be the beer garden, PNC Porch, jam “tents” and other activities planned for this weekend.

Raleigh Mayor Mary-Ann Baldwin said the resiliency of the organizers and the City of Raleigh is similar to that often sung about in bluegrass music as well as the genre itself, which celebrated its 75th anniversary during the height of the pandemic.

“Whether you have been here before or it’s your first time, you are in for great entertainment,” she told the crowd in the RCC ballroom. “We did this in 2015 and it turned out great, and it’s going to be great again.”

Baldwin added she hopes IBMA will return to Raleigh for another 10 years. “The best part of IBMA is you get to be part of this unique experience and community,” she said. “It’s about bringing people together.”For tickets and more information, visit https://worldofbluegrass.org.


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Bluegrass music’s biggest night is 2019 International Bluegrass Music Awards

Tonight’s the night: the biggest night of the year for bluegrass musicians around the globe. All eyes and ears will be focused on the red carpet at the Duke Energy Performing Arts Center in downtown Raleigh, North Carolina, as the industry’s biggest and brightest stars head to the 30th Annual International Bluegrass Music Awards.

Nominees for “Entertainer of the Year” are Balsam Range, Sam Bush Band, The Earls of Leicester, Del McCoury Band and first-time nominee Joe Mullins & the Radio Ramblers. The five nominees have a whopping 24 nominations among them this year. Multiple nominations for Sister Sadie, Carolina Blue, Mile Twelve, Molly Tuttle, Missy Raines and Rhonda Vincent are also notable on this year’s list of nominees.

Can’t make it the awards show in person? The show will be broadcast live on Sirius XM Satellite Radio (Bluegrass Junction) at 7:30 p.m. EDT, streamed via Facebook Live and will be made available for rebroadcast by radio stations worldwide, thanks to the sponsorship of Chiesi USA, Virginia Tourism, Deering Banjos, Compass Records, the Bluegrass Music Hall of Fame & Museum, BMI, and Boston Bluegrass Union. A special red carpet live stream will be available on IBMA’s Instagram page as well. Continue reading →


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Sam Bush, Jerry Douglas, I’m With Her, Balsam Range, Molly Tuttle, Doyle Lawson & Quicksilver, Del McCoury among headliners at Wide Open Bluegrass 2019

From the good folks over at the International Bluegrass Music Association (IBMA):

NASHVILLE — ​Organizers ​of this year’s ​PNC presents Wide Open Bluegrass on ​Sept. 27-28 i​n downtown ​Raleigh, North Carolina, ​have announced the full list of performers, and performance schedules, for the annual festival.

The free Wide Open Bluegrass festival – part of the I​nternational Bluegrass Music Association (IBMA)’s ​five-day ​World of Bluegrass ​event,​​ sponsored by ​Chiesi USA​ – brings bluegrass into the community, and introduces the music to thousands of new fans every year, with more than 100 performers on seven stages along Fayetteville Street.

Performers include a broad mix of local, national, and international talent. Stages include the Youth Music Stage – situated on the outdoor plaza at the Convention Center – and the Dance Tent, which features clogging performances, participatory square dances, and late-night open dancing Friday and Saturday nights.

In addition to the seven stages of Wide Open Bluegrass, performances at Raleigh’s Red Hat Amphitheater will be open to the public for free, as well, subject to venue capacity. A limited number of reserved seats in prime sections of the venue are still available for purchase, to ensure admittance for every performance. More details about the festival can be found online at worldofbluegrass.org/wide-open-bluegrass, or on the festival app, available for free download via your app store.

PNC returns, for the seventh year, as the presenting sponsor for the two-day Wide Open Bluegrass festival: “PNC’s support of Wide Open Bluegrass allows festival goers free access to all stages and makes this festival even more special,” said Jim Hansen, PNC regional president of Eastern Carolinas. “As the presenting sponsor for the seven years that Raleigh has hosted Wide Open Bluegrass, we are pleased that this event has become a flagship music festival and adds to our vibrant cultural scene. We at PNC look forward to celebrating a great weekend of bluegrass in downtown Raleigh.” Continue reading →


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MerleFest 2019 announces lineup for Late Night Jam hosted by Chatham County Line

This just in from the good folks over at MerleFest:
MerleFest, presented by Window World, is proud to announce the 2019 lineup for their beloved Late Night Jam.  Sponsored by The Bluegrass Situation and hosted by Raleigh’s own Chatham County Line, this year’s Late Night Jam will feature Molly Tuttle, Jim Lauderdale, The Brother Brothers, Donna the Buffalo, Presley Barker, Ana Egge, Steve Poltz, and more.

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Balsam Range, First Ladies of Bluegrass on a roll at 2018 IBMA Awards

If bluegrass music was a sport, the International Bluegrass Music Association (IBMA)’s annual awards night would be considered the industry’s All-Star game.

Held Thursday, Sept. 27, as part of IBMA’s 2018 annual weeklong business conference and Wide Open Bluegrass, the party celebrating the best in individual and band achievement for the year was hosted by Hot Rize, the first group to ever win the coveted entertainer of the year award. Continue reading →


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Women poised to dominate 2018 International Bluegrass Music Association (IBMA) awards

In 2017, Hazel Dickens and Alice Gerrard were inducted into the International Bluegrass Music Association (IBMA) Hall of Fame. With the exception of women who were part of a band, and usually a family band, ie. the famous Carter Family, who were inducted in 2001, only one other woman — Louise Scruggs in 2010 — has received solo recognition by the hall of fame organizers since 1991. And this week, songwriter Dixie Hall will be inducted as the fourth.

Let’s face it. Bluegrass has been a good old boys genre since Bill Monroe picked up a mandolin, Louise’s husband Earl Scruggs met Lester Flatt and the Stanley Brothers became the Clinch Mountain Boys. But as Bob Dylan once wrote, “the times they are a changin.'”

Fast forward to 2016, when Sierra Hull and Becky Buller became the first women to win Instrumental Performers of the Year awards for mandolin and fiddle, respectively. Hull came out on top in the same category in 2017, and Molly Tuttle, who appears poised to be among the next female superstars of bluegrass, won Instrumental Performer of the Year for her guitar picking prowess — the first woman to ever top that particular chart. Continue reading →


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Women of bluegrass dominate nominations for International Bluegrass Music Awards in Raleigh, N.C, on Sept. 27

After Molly Tuttle’s impressive win at the 2017 International Bluegrass Music (IBMA) Awards as the first female IBMA guitarist, Becky Buller leads the field for the  2018 International Bluegrass Music Awards with eight nominations followed by Tuttle’s six. Close behind with five nominations each are Special Consensus, and The Del McCoury Band/The Travelin’ McCourys, with strong showings by Rhonda Vincent, The Earls of Leicester, Balsam Range, and Doyle Lawson & Quicksilver. Results of the balloting will be revealed at the International Bluegrass Music Awards on Thursday, Sept. 27, at the Duke Energy Performing Arts Center in Raleigh, North Carolina.

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Year in Review: My favorite musical picks for 2017

While 2017 will be remembered for many things, it turned out to be a great year for new music. Artists including Steve Earle & the Dukes, Lee Ann Womack, Chris Stapleton, Rhiannon Giddeons and Jason Isbell turned out some amazing albums over the past 12 months, but you don’t need me to tell you that.

Instead, I am going to focus on my own purely subjective list that evolves mainly from music festivals I attended, interviews I conducted and stories I published online on this blog, HalfwaySouth.com or on HuffPost that features my favorite genres (primarily folk, Americana, country, rock) and up-and-coming artists that I hope you will take the time to listen to in the coming year and beyond.

And now, in no particular order, here’s my picks for the best listens of 2017. Happy listening! Continue reading →