I can’t remember a better MerleFest than 2021. The chance to finally return to the campus of Wilkes Community College after a LONG 2 1/2 years to hear live music and feel the sun on my face while sitting in front of the Hillside Stage (ok maybe it was a too hot) was balm to my pandemic-battered soul. The chance to catch up with old friends I typically only seem to see at MerleFest and the chance to make new ones. The chance to discover new music from first-time MerleFest visitors while enjoying new music from MerleFest veterans. And the chance to meet all those babies conceived during lockdown. I have many, many stories to share from this year’s festival but for now please enjoy this wrap-up video from the festival and stay tuned for more from me soon!
Not to snub any other acts at this year’s MerleFest but here’s my list of sets not to miss Thursday evening:
Scythian
I often refer to the boys from Front Royal, Virginia, as MerleFest’s unofficial house band whose lively sets are not to be missed. With a new album out and a year of virtual “quarantstreams” under their belts, Scythian is so excited to be back out on the road playing to live audience. The Celtic rock band promises on their social media that “this year’s MerleFest will be one of the best year’s yet!” Of that, I have no doubt. Learn more at https://www.scythianmusic.com/
With roots in Oxford, North Carolina (just north of Raleigh/Durham for the geographically challenged) and a soon-to-be released album, “Pressing Onward,” The Barefoot Movement is poised to move from this year’s Cabin Stage to next year’s main Watson Stage. Their 10 new recordings are all produced by powerhouse industry veterans Chuck Plotkin (Springsteen’s Born in the USA, Bob Dylan’s Shot of Love, etc) and Hank Linderman (The Eagles, Chicago, etc). Their lead single “Someday” also hit digital and streaming retailers on Aug. 20 and was released via Bonfire Music Group. Learn more at http://www.thebarefootmovementofficial.com/
Sturgill Simpson
I’ve been looking forward to hearing Sturgill Simpson, who sounds surprisingly similar to the late, great Waylon Jennings, play live since his first genre-bending album, “METAMODERN SOUNDS IN COUNTRY MUSIC,” exploded on to the music scene. With his newest double entrendre and double-album, “Cuttin’ Grass” out, I am sure I won’t be disappointed. Learn more at https://www.sturgillsimpson.com/
Dance Tent with Donna the Buffalo
Donna the Buffalo joined forces with legendary Producer & Engineer Rob Fraboni to record their new album, “Dance in the Street,” at Sonic Ranch, the world’s largest residential recording studio built around an 80-year-old hacienda on a 3,300-acre pecan orchard right along the Mexican border, near El Paso, Texas. If you have ever been to their own Shakori Grassroots Festival, you know the Dance Tent will light up under their lively tunes tonight. Read more at https://www.donnathebuffalo.com/
The finalists of MerleFest’s 2021 Chris Austin Songwriting Contest (CASC) were announced in an Aug. 9 press release by IVPR.
The finalists have been invited to the final round of the competition, which will be held on Friday, Sept. 17, as part of MerleFest. First-place winners will receive $1,000 cash and a performance slot at MerleFest. This year’s panel of music industry professional judges includes Dolph Ramseur, Amythyst Kiah, Darin & Brooke Aldridge and The Milk Carton Kids. CASC is one of the most acclaimed songwriting contests in roots and Americana music and has a reputation for launching careers as well as drawing attention to important new talent.
Following are the full list of finalists:
Bluegrass: Jeff McClellan (Kingsport, Tenn.), Scott Patrick (Christiansburg, Va.) – “One Black Rock At A Time,” Gregory Poulos (Northville, Mich.) – “Sunny Days (Are Comin’ Once Again)” and Andrew Small (Floyd, Va.) – “Yesterday’s Blues.”
Country: Carly Burruss (Atlanta, Ga.), Mike McFadden (Nashville, Tenn.), Scott Terry (New York, N.Y.) – “Wheel of Fortune,” Calista Garcia (Arlington, Va.) – “Nobody Digs a Wallflower” and Ian Meadows (Higganum, Conn.), Dustin Meadows (Old Saybrook, Conn.) – “Trouble.”
General:Brieana Capone (Asheville, N.C.) – “Rainbow Stained”Shay Martin Lovette (Boone, N.C.) – “For Rose Marie”David Morris (Benton, Penn.), Amanda Fields (Madison, Tenn.) and Dawn Kenney (Waltham, Mass.) – “If I’m Gonna Be Lonely.”
Gospel/Inspirational: Louisa Branscomb (Asheville, N.C.), Dale Ann Bradley (Middlesboro, Ky.) – “I’ll Take Love” Daniel Davis (Bristol, Va.) – “Dear Lord” and Cathy Fink (Silver Spring, Md.) – “Hold Each Other Up.”
About MerleFest MerleFest was founded in 1988 in memory of the son of the late American music legend Doc Watson, renowned guitarist Eddy Merle Watson. MerleFest is a celebration of “traditional plus” music, a unique mix of traditional, roots-oriented sounds of the Appalachian region, including old-time, classic country, bluegrass, folk and gospel, and blues, and expanded to include Americana, classic rock, and many other styles. The festival hosts a diverse mix of artists on its 13 stages during the course of the multi-day event. MerleFest is the primary fundraiser for the WCC Foundation, funding scholarships, capital projects and other educational needs.
MerleFest, presented by Window World, is proud to announce the full lineup for MerleFest 2021, which will take place Sept. 16-19 on the campus of Wilkes Community College in Wilkesboro, North Carolina, in the foothills of the Blue Ridge Mountains, according to a press release from IVPR.
The following is MerleFest’s complete list of performers including the previously announced headliners: Sturgill Simpson, Tedeschi Trucks, Melissa Etheridge, Mavis Staples, Margo Price, LeAnn Rimes, Shovels & Rope, Balsam Range, Amythyst Kiah, JOHNNYSWIM, The Milk Carton Kids, We Banjo 3, Adam Traum, Banknotes, Bill and the Belles, Brittney Spencer, Cane Mill Road, Carol Rifkin, Charles Welch, Charley Crockett, Chatham Rabbits, Cordovas, Creole Stomp with Dennis Stroughmatt, Darin & Brooke Aldridge, Donna the Buffalo, Happy Traum, Hogslop String Band, Iron Horse Bluegrass, Jack Lawrence, Jeff Little Trio, Jim Lauderdale, Jody Carroll, Joe Smothers, Joe Troop (of Che Apalache), John Cowan, Kelsey Waldon, Kruger Brothers, Laura Boosinger, Mark Bumgarner, Mary Flower, Mitch Greenhill & String Madness, Moore Brothers, Nefesh Mountain, Oliver Hazard, One Fret Over, Paul Thorn, Pete & Joan Wernick, Peter Rowan & Free Mexican Airforce with Los Texmaniacs, Piedmont Bluz, Po’ Ramblin’ Boys, Presley Barker, Rev. Robert Jones, Robbie Fulks, Roy Book Binder, Sam Bush Band, Sam Williams, Sarah Shook & The Disarmers, Scythian, Shinyribs, Sierra Ferrell, Smitty and the Jumpstarters, Sweet Potato Pie, T. Michael Coleman, Terrapin Creek, The Barefoot Movement, The Cleverlys, The InterACTive Theatre of Jef, The Local Boys, The Waybacks, Tommy Emmanuel, Tony Williamson, Wayne Henderson, Wyld Fern, Yasmin Williams and Zoe & Cloyd.
This lineup of world-class bands and artists will be joining the annual homecoming of musicians and music fans.
MerleFest tickets will go on sale on June 10. More information can be found at merlefest.org. MerleFest, presented by Window World, would also like to remind potential volunteers that the volunteer application period is now open and the Chris Austin Songwriting Contest (CASC) is accepting submissions until June 15. Information on both of these can be found at www.merlefest.org.
Wilkesboro, N.C. – In lieu of their annual gathering of music fans and musicians from across the globe, MerleFest presented by Window World has announced a rebroadcast of the Watson and Cabin stages from the 2012 MerleFest weekend.
As a thank you to every fan who has attended and supported MerleFest over the years, this broadcast is being presented free of charge. Simply visit MerleFest.org and click the live stream link on the homepage to view the broadcast over the course of the originally scheduled MerleFest 2020 weekend, April 23-26.
MerleFest 2012 holds a special place in the history of the festival. Music legend Doc Watson played the Watson Stage alongside lifelong friends for the final time in 2012. The love and support for Doc shines bright during these performances that also mark the 25th year of the festival he and others started in memory of Doc’s late son, Eddie Merle Watson. “We are thrilled to be able to bring MerleFest 2012 to our loyal fans during the days that we would normally be celebrating MerleFest 2020,” says festival director Ted Hagaman. “Reliving Doc’s final festival will bring back wonderful music, moments, and memories for all to enjoy. We appreciate Window World for making this happen.”
WILKESBORO, NORTH CAROLINA — MerleFest organizers are agonizing over whether to cancel the music festival that attracts some 80,000 Americana fans honoring the legacies of the late, great Doc and Merle Watson. The deliberations are in direct response to Gov. Roy Cooper’s Thursday announcement about limiting crowds to fewer than 100 to stop the spread of coronavirus.
MerleFest officials wrote on the website Thursday: “We will be issuing an official statement concerning MerleFest 2020 by the close of business on Friday, March 13. Thank you for your patience and support.”
In the meantime, let’s take a look at the economic impact this music festival, which for the past 30 years has acted as the unofficial kick off to the music festival season, has on the region, keeping in mind this does not include music and merchandise sales for the artists, etc.
In 2019, MerleFest reported the following economic impact on the Wilkes Community College; Wilkesboro; and surrounding Wilkes County.
For the uninitiated, WCC closes down its campus during the last full week of April to become home to MerleFest.
WILKESBORO, NORTH CAROLINA — Over the past two decades, hundreds of young musicians have taken part in the Acoustic Kids programming at MerleFest presented by Window World. This year—the showcase’s 20th anniversary—young musicians from the MerleFest audience will once again step on stage and perform in Andy May’s Acoustic Kids Showcases. Some participants are just learning to play their instrument, some play just for the fun of it, and some go on to international renown. Put on by long-time music educator and accomplished multi-instrumentalist, Andy May, Acoustic Kids is open to any musicians ages 16 or younger who register online before March 15.
Raleigh, put on your dancing shoes because the boys of Scythian are coming back to town on Thursday, Feb. 27.
They have rocked the dance tent at the annual International Bluegrass Music Association (IBMA) for years, kept First Night Raleigh attendees warm and festival goers on their feet as perennial favorites at MerleFest and Bristol Rhythm and Roots Reunion, among many others.
Named after Ukrainian nomads, Scythian (pronounced sith-ee-yin) plays immigrant rock with thunderous energy, blending Irish-Gypsy-American string-rock, clever storytelling, catchy songwriting and humor, beckoning crowds into a barn-dance rock concert experience.
These Celtic rockers will bring their all-ages, high-energy show back to Raleigh’s Lincoln Theatre, 126 E. Cabarrus St. Tickets can be purchased at this link. Doors open at 7:30 p.m.
Chapel Hill singer-songerwriter Jonathan Byrd will take the stage before Scythian. Byrd has been called “a folk singer with the heart of a rock ‘n’ roll band.” Byrd is a preacher’s son, a Gulf War veteran and an award-winning songwriter from Chapel Hill, North Carolina, known for literary, outsider songs that have become campfire favorites. The Chicago Tribune called Byrd “one of the top 50 songwriters of the past 50 years.”
Scythian features tunes with gypsy, Celtic, bluegrass and Americana influences just in time to provide an appropriate warm up for St. Patrick’s Day. The band’s entertaining stage presence, band camaraderie and audience interaction captivates from the first note. Powerful vocals, fiddle, guitar, accordion, upright bass, drums are just a taste of the myriad instruments the quartet brings to its raucous stage causing iHeart Radio to state, “Scythian has reinvented folk rock in America.” And The Washington Post has called Scythian, “Washington D.C.’s most energetic and eclectic band.”
This just in from the good folks over at MerleFest:
MerleFest, presented by Window World, is proud to announce the next round of artist additions for MerleFest 2020, which will be held April 23-26. Greensky Bluegrass, Mavis Staples, Paul Thorn, Cane Mill Road, Sweet Potato Pie, The Barefoot Movement, Nefesh Mountain, and Smitty and the Jumpstarters will be joining the annual homecoming of musicians and music fans on the campus of Wilkes Community College in Wilkesboro, North Carolina, in the foothills of the Blue Ridge Mountains.
Greensky Bluegrass: “There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist vocalist and songwriter Paul Hoffman. “We’re existing in a few different places at once. We’re a bluegrass band and a rock band. We’re song-driven and interested in extended improvisation.” Formed in 2000 in Kalamazoo, Michigan, Greensky Bluegrass kicked off their career playing living rooms and open mic nights across the Midwest. By 2005, they were touring nationally, and by 2006, they were playing the first in a long series of appearances at the annual Telluride Bluegrass Festival. Bandmates Hoffman, Bruzza, dobro player Anders Beck, banjoist Michael Arlen Bont, and upright bassist Mike Devol spent most of the following decade on the road, fine-tuning a live show modeled not after the toned-down production of traditional bluegrass music, but the full-on spectacle of rock. Greensky Bluegrass will perform Friday night on the Watson Stage. Continue reading →
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