I don’t know about you, but I turn to art — music, literature, poetry — when I need to escape and my need for escapism is strong at the moment.

If there was ever a song that addresses what’s happening now — nearly 200,000 deaths as a result of the global pandemic and its subsequent destruction of the world economy — it’s a new tune by one of my favorite bands, Bristol, Tennessee/Virginia-based Annabelle’s Curse, staples at the Bristol Rhythm and Roots Reunion, frequent performers at Rooster Walk Music and Arts Festival and a runner-up at FloydFest’s On the Rise Competition, just to name a few.

The band is releasing “Bailout” today. In their words, the song has multiple meanings:  “It addresses the isolation, division and distraction of the current era through a metaphor of a sinking ship and a struggling relationship. It also has political statements laced throughout the final verses.”

The crazy thing about “Bailout” is that it was written long before any of us had heard of COVID-19, coronavirus, “social distancing” or the “new normal” — two phrases I personally hope will soon disappear from our collective vocabularies. 

I talked to Zack Edwards, one of the band’s co-founders, earlier this week and he said at the heart of this complex song, written by another band co-founder Tim Kilbourne, is the double entendre of “dealing with political bailouts as well as dealing with relationships and maintaining them despite going through troubles. We were talking about how weird it is that everyone is getting stimulus checks when the song is being released.”

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