In 2017, Hazel Dickens and Alice Gerrard were inducted into the International Bluegrass Music Association (IBMA) Hall of Fame. With the exception of women who were part of a band, and usually a family band, ie. the famous Carter Family, who were inducted in 2001, only one other woman — Louise Scruggs in 2010 — has received solo recognition by the hall of fame organizers since 1991. And this week, songwriter Dixie Hall will be inducted as the fourth.

Let’s face it. Bluegrass has been a good old boys genre since Bill Monroe picked up a mandolin, Louise’s husband Earl Scruggs met Lester Flatt and the Stanley Brothers became the Clinch Mountain Boys. But as Bob Dylan once wrote, “the times they are a changin.'”

Fast forward to 2016, when Sierra Hull and Becky Buller became the first women to win Instrumental Performers of the Year awards for mandolin and fiddle, respectively. Hull came out on top in the same category in 2017, and Molly Tuttle, who appears poised to be among the next female superstars of bluegrass, won Instrumental Performer of the Year for her guitar picking prowess — the first woman to ever top that particular chart. Continue reading →