musicreporterblog

After last year’s affectionately dubbed “MudFest,” MerleFest 2024 was blessed with only a few sprinkles and mostly sunny skies. That may be in large part to the new concrete slab that now graces the area in front of the Watson Stage that for decades has turned into a mud pit when the inevitable showers fell on fans and musicians alike.

But that wasn’t the only thing new at this year’s festival. The most diverse lineup the festival has ever seen graced the 12 stages throughout the four-day event, which remains inspired by the vision of festival founder and North Carolina native Doc Watson. As a result of that diversity, the most diverse crowd was also drawn to the campus of Wilkes Community College in Wilkesboro, North Carolina, over April 25-28.

“MerleFest 2024 was a testament to the enduring spirit of community and music,” explained Wes Whiston, festival director, in a press release. “The unwavering support from our artists, fans, staff, volunteers and sponsors not only creates unforgettable moments but also fuels the educational mission of Wilkes Community College. The beautiful weather this weekend served as a perfect backdrop to the magic unfolding on stage, adding an extra layer of joy to our festivities. We were thrilled to see an overwhelming turnout on Thursday evening, a resounding affirmation that MerleFest continues to grow stronger with each passing year.”

That Thursday turnout was the direct result of one of the most stellar one-day lineups in the festival’s history, which included local breakout star Presley Barker, Dan Tyminski, Steep Canyon Rangers, Molly Tuttle & Golden Highway and wrapping up with Old Crow Medicine Show, who rang in their seventh appearance at MerleFest with choice cuts from their expansive catalog, as well as some surprising covers including Beyoncé’s “Texas Hold ‘Em.” The Friday night headliners also commemorated 25 years of touring as well as the 25th anniversary of their MerleFest debut with cameos by Tuttle, Willie Watson and other MerleFest regulars. With even more to celebrate, the band presented a birthday cake and sang to MerleFest’s own “B” Townes before inviting the ever-present Arthur Grimes to the stage for an old-fashioned Appalachian flatfoot dance off. 

Friday’s Watson Stage performances kicked off with MerleFest’s house band Celtic rockers Scythian, who are celebrating 20 years as a band. Kyshona made her MerleFest debut with her soulful sound along with other first-timers Nick Shoulders, Buffalo Nichols, Uwade and Willi Carlisle. Later, The Langan Band brought their Scottish sensibilities to the Traditional Stage, just before blue-rock sister group Larkin Poe fired up the Watson Stage and Red Dirt legends Turnpike Troubadours closed out the night. Night-owls were treated to a spectacle of hip-shaking singalongs by New Orleans-influenced Shinyribs.

Saturday saw too many memorable moments to count but included the annual Veterans Jam, featuring Jack Lawrence, Joe Smothers, Sam Bush, Jerry Douglas, Peter Rowan, John Cowan, and T. Michael Coleman and The Waybacks’ legendary Hillside Album Hour, which treated fans to a front-to-back performance of Stevie Wonder’s iconic 1973 masterpiece, “Innervisions,” along with tributes to Jimmy Buffett, Sinead O’Connor and Gordon Lightfoot among others.

MerleFest’s annual band competition entertained crowds on the Plaza before naming Florencia & The Feeling as this year’s winner. And over in the Walker Center, 14-year old prodigy Wyatt Ellis led a special jam featuring guests Jim Lauderdale, Peter Rowan, Jack Lawrence, John Cowan and The Kruger Brothers, before joining mandolin virtuosos Sam Bush, Liam Purcell, and Chris Henry on the Creekside Stage for Mando Mania. Back on the Watson Stage, Béla Fleck performed an inspiring set of instrumental arrangements and selections from his 2021 album, “My Bluegrass Heart,” followed by powerhouses S.G. Goodman, Sam Bush Band and country crooner Brandy Clark, who also graced the Hillside Stage earlier in the day with an inspirational set. The Teskey Brothers topped off the evening with their Aussie-tinged brand of blues rock.

Sunday offered something for every musical taste from gospel to he highly-anticipated return of Nickel Creek, who rounded out the weekend with a 90-minute string jam of seismic proportions. Chris Thile said it had been nearly 20 years since the trio had performed at MerleFest and their delight at being back was obvious.

The Sensational Barnes Brothers hosted a powerful Gospel Hour on the Creekside Stage; Roy Book Binder, along with Charles Welch, The Harris Brothers, and Bob Margolin led a Sunday Blues session on the Americana Stage. The Traditional Stage saw lots of activity too, with a traditional jam hosted by Pete & Joan Wernick, ‘Shaped Note Singing’ with Laura Boosinger, ‘Women Who Sing & Play’ with Carol Rifkin, Bayla Davis, Liz Lanham and others, and finally, Wayne Henderson & Friends closing out the afternoon. Finally, GRAMMY-winning country-rock outfit Lukas Nelson & POTR rocked the Watson Stage before turning the mic over to Raleigh-based New Dangerfield on the Cabin Stage and then Nickel Creek.

MerleFest, presented by Window World, concluded its annual spring homecoming this weekend with a larger-than-life “Traditional Plus” celebration, drawing both seasoned attendees and newcomers. The event is the biggest economic driver of scholarships, capital projects and educational needs within the greater Wilkesboro community. Since its inaugural event in 1988, MerleFest has continued to demonstrate a commitment to supporting the residents of Wilkes County, while showcasing outstanding talent from its home state and beyond. This year’s festival was no different, with nearly 100 acts spanning diverse styles and genres performing across 12 stages from Thursday through Sunday.

As the tents come down on another incredible festival weekend, all sights are set on MerleFest’s return to WCC on April 24-27, 2025, with ticket and lineup news forthcoming. Learn more at www.merlefest.org.